racism – Finding My Wings

RELEASE DAY REVIEW: If You Want to Make God Laugh

If You Want to Make God Laugh by Bianca Marais (Putnam) July 16, 2019
In 40 words or less: At the start of Mandela’s presidency, South Africa’s changes are seen through the lives of estranged white sisters and a black teenager. Living in a community wrestling with conflicts of old and new, the women confront secrets that define them.
Genre: Fiction
Locale: South Africa
Time: 1994
In her second novel, Bianca Marais once again uses a defining moment in South Africa’s history as the backdrop for her story.

If You Want to Make God Laugh is told in three voices – Ruth, a fading socialite; Delilah, Ruth’s sister who returns from decades as a nurse in the wild; and Zodwa, a teenage girl with dreams of educating herself to be a part of the New South Africa.

After the breakup of her marriage, Ruth returns to the family home to lick her wounds and figure her next move. Out of the blue her sister, Delilah, appears, having received a letter that a gunshot has left someone dear to her in very critical condition. Zodwa fails in ending an unexpected pregnancy, endangering her prospects for an education, and dashing the hopes of her mother who is herself facing serious health challenges.

Laugh is a novel of three women each taking charge of her own life within the realities of the “new” South Africa. In this novel, politics are less a player than the periodic conflicts the women face in dealing with those seeking to wrest back the power and prestige of the Apartheid days. This is also the period when AIDS became rampant in South Africa, with misinformation, superstition, and prejudices. Bigotry, denial, and a profound lack of medical resources and support for patients and families created a far larger crisis for a country undergoing political and social upheaval.

Bianca Marais is a wonderful storyteller, clearly distinguishing her characters and their voices. To help frame her stories, she paints a full picture of the setting so the reader can visualize the space or location without any sense of being bogged down with details.

As an early reader of both of Bianca Marais’s novels, I’ve had the opportunity to take them in, unencumbered by the opinions of others. Hum If You Don’t Know the Words (review here) sent me searching for more on the Soweto uprising. Even those generally well-informed, had little access at the time to on the ground reporting. “Seeing” the events through the eyes of the characters gives a different perspective on history.

For me, Laugh is a more universal story, colored by the historic changes in South Africa. It is a novel of finding oneself, creating family, and forgiveness. The issues Ruth, Delilah, and Zodwz face are also very contemporary – sexual abuse, militant white nationalism, the AIDS crisis, and women needing to reclaim their lives from trauma. In both books, Bianca’s love of the country of her birth shines through.

While each stands on its own, Hum definitely begat Laugh, with connections from one to the other. It is reassuring to see beloved characters return, if briefly, and know in fiction, as in life, there is influence from one generation to the next.

Following ‘The Underground Railroad’

The Underground Railroad by Colson Whitehead (Doubleday) 2016, (Random House Audio, Bahni Turpin – Narrator)
In 40 words or less: Cora’s self-sufficiency makes her an outcast among the slaves on the Georgia plantation. When Caesar, another slave, prevails on her to escape with him, Cora’s journey to find a free future and reclaim her past begins.
Genre: Literary fiction
Locale: Georgia and north
Time: Approximately 1840’s
Winner of both the Pulitzer Prize and National Book Award, Colson Whitehead uses magical realism and time-shifting to supplement the realistic and inhumane treatment of so many. Juxtaposing the attitudes of the slaveholders and those that maintained the railroad is fascinating. The villainy of the slave-catchers and the complacency of those standing by paints a portrait of the pre-Civil War US.

It took me far too long to make Colson Whitehead’s The Underground Railroad my own. Two years ago, Whitehead spoke at the BookExpo America Book & Author Breakfast, attended by the book trade, librarians, and bloggers or book group leaders like me. He is a charismatic speaker and it was clear that this book would make waves.

Several times a year, Dan and I head out on an extended road trip. This July’s was the most ambitious. We headed from the Washington, DC area to Hilton Head, SC, via Pennsylvania, Ohio, Kentucky, Tennessee, Alabama, and Georgia. It seemed fitting to choose The Underground Railroad as our audiobook since the characters Whitehead created traversed much of the same terrain.

Cora, the central character of the novel, is young and alone after her mother escapes the Georgia plantation and is never heard from again. All she is left by her mother is a tiny patch of land in front of their shack where Cora plants yams, supplementing her food supply and marking her independence. Cora is deeply hurt and angry that her mother has neither sent for her nor been in touch, though she clearly wasn’t captured and returned as a runaway. Very smart, Cora knows how to read and hides this knowledge since it could endanger her. She has only one friend and rebuffs efforts advances by any man, understanding that she is safer on her own.

Caesar, another slave on the plantation, has observed Cora and recognizes that her self-sufficiency and intellect would make his chance of escaping the plantation more likely. After several efforts, the two of them take off, heading to the underground railroad. Whitehead’s railroad is the literal conveyance that often comes to mind among those that are just learning about the period. There is a network of conductors, secretly assisting runaways on their journeys.

As Cora and Caesar travel from state to state, Whitehead creates different milieus that challenge their move to freedom. In each locale, the response of the residents to those seeking freedom is completely different as well. Whitehead’s descriptions draw the reader in and convey the terrifying situations that interactions with the residents and the terrain demand.

As I mentioned at the top, this was the audiobook we listened to as we made a big loop through many states that were on the real Underground Railroad. Looking out the window as the story unfolded, I gave more thought to the difficulty in traversing rivers, often with slave-catchers in pursuit and few swimming skills. I imagined the darkness and the dangers from run-ins with animals, trying to forage for food, and wondering if the one farm nearby was shelter or danger. The narrator, Bahni Turpin, gave distinctive voices to all the characters and created a picture that made the hours seem like minutes. While I should have moved this great novel to the top of the pile much sooner, I am grateful I waited. The combination of the book and the journey made this an experience I won’t soon forget.

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1920’s, the birth of the FBI, and ‘Killers of the Flower Moon’

Killers of the Flower Moon by David Grann (Doubleday) 2017
In 40 words or less: After the Osage Tribe was relocated to Oklahoma, oil was discovered making the Osage the wealthiest people in the USA. Pillars of the white community systematically stripped them of their rights, money, and lives.
Genre: History
Locale: Oklahoma and Washington, DC
Time: 1920’s
Another untold chapter in US history brought to life almost a century later. The corruption that decimated the lives and assets of untold Osage family members also claimed the lives of some seeking to provide justice. Grann’s careful research sheds light on the formation of the FBI, the first national police force.

Even as students, we are aware the history we are taught is limited. Not only do the winners of wars write the histories, but many stories are buried out of fear or by others to whitewash the truth. For many of us, the early days of the FBI are tied to Prohibition, bootlegging and the Chicago gangsters of that era. These were the impetus for the creation of the first national police force which became the FBI. It was a force made up of accountants and lawyers in anticipation of fighting smuggling, tax evasion and the like.

Something strange was happening to Mollie Burkhart, her two sisters, and mother. Mollie was part of the Osage aristocracy – lovely homes, house servants, well-educated – and very wealthy. One sister died of an unexplained wasting disease, their mother was inexplicably ill, and then Anna disappeared. Anna was a bit wild but had strong ties to her family and had no reason to run. While she was seen right before her disappearance, the trail quickly went cold. There were too many odd things happening within the Osage that didn’t add up and some outside help was needed.

This is a many-layered story of racism and sanctioned plundering. Indians, and more particularly women, were considered incapable of managing their own affairs so guardians were appointed. White husbands were granted the right to control their wives’ allotments. And this system was ingrained in the lawyers, insurance agents and bankers of the community. These cabals endangered the safety of anyone questioning the system. It was into this that an odd undercover operation of the FBI run by a Washington outsider tried to shed some light.

Killers of the Flower Moon is deserving of all the accolades it has received. Every line is researched in detail, giving the reader a rare opportunity to see the crimes unfolding almost contemporaneously. This is very important history beyond Oklahoma and is finally getting attention. Book groups, even those primarily reading fiction, will find David Grann’s telling compelling.

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‘Waking Lions’ is a contemporary thriller and morality tale

Waking Lions by Ayelet Gundar-Goshen (Little, Brown and Company) 2017. Translated by Sondra Silverston.
In 40 words or less: After a long night at work, Dr. Eitan Green decides to run his car in the desert. In the darkness, he hits an Eritrean man, leaving him to die. The repercussions go far beyond one man, his family or community.
Genre: Fiction
Locale: Beer Sheva, Israel
Time: Contemporary
Gundar-Goshen’s novel pushes the boundaries of genre and could take place in many countries where refugees illegally cross borders in desperation.

“A writer is like a pickpocket: they want what belongs to others and make it their own. But by doing that they are inevitably caught, not by the police, but by their own story.” Ayelet Gundar-Goshen in a guest post for the blog The ProsenPeople

Ayelet Gundar-Goshen grabs the reader from page one and never lets go. Eitan Green is a rising star neurosurgeon in Tel Aviv when he gets on the wrong side of his mentor and is “exiled” to Beer Sheva, a far less prestigious placement. After a rough night, he decides to take his new SUV for a drive in the desert before going home to his wife Liat, a police detective, and his two sons. The road is dark, empty and wide open – until it’s not. Eitan hits a man, stops and realizes the injuries will be fatal. Recognizing that the man is Eritrean, and likely a refugee, Eitan makes a split second decision that nothing can be done for the man but his life likely will be destroyed if he stays.

Come morning there is a knock at the door. An Eritrean woman is holding Eitan’s wallet, dropped at the scene. Eitan is prepared to pay to keep the secret from the authorities and his wife. The price of silence is far more than money, his medical expertise and time. And so the coverup begins.

Gundar-Goshen’s training in psychology serves her well as she reveals the inner voices of Eitan, Liat, and Sirkit, the victim’s widow, each at different points in the novel. Eitan’s relocation to the desert was due to trying to maintain the moral high ground. Now, he is perpetually juggling, lying to his wife, lying to his colleagues, trying to keep up with the demands of a double life.

Liat, very accomplished but still a woman in a man’s world has to keep proving herself at work. At the same time, she is shouldering almost all the burden at home. Eitan and Liat have always stood strong together and the changes are very unsettling.

Sirkit is an enigma. Seemingly untouched by grief, she redirects her energy into securing medical help for other refugees under cover of night. Her story, both past and present, is far more complex.

Waking Lions is built layer upon layer. With each layer, more people and more questions of right and wrong, good and evil, are involved. Intricately interwoven are the deceptions that can destroy a marriage, the vulnerability of refugees, and the exploitative exercise of power. A New York Times notable book in 2017 and recipient of other accolades, this is an ideal read for individuals or groups who wrestle with issues of so prevalent today.

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Hum If You Don’t Know the Words

Hum If You Don’t Know the Words by Bianca Marais (Putnam), July 11, 2017
In 40 words or less: Beginning with the Soweto uprising, a young white girl and a Xhosa woman are thrown together as a family. Their complementary narratives enrich insights into life under apartheid. Great book!
Genre: Literary Fiction
Locale: Johannesburg, South Africa
Time: 1970s
Forty years after the uprising that began the end of Apartheid, this novel opens a door to the challenges of life for the Blacks and others in South Africa fighting for change. A wonderful novel of people in very difficult times.

Robin is a young Anglophone girl growing up in South Africa. Bullied by her Afrikaans schoolmates, she is very concerned about living up to her parents’ expectations. Her father is a manager in a mining operation, overseeing Black workers. When her parents receive a last minute invitation to a business function Robin’s life is changed forever. En route to the event, Robin’s parents are ambushed and murdered. So starts Hum If You Don’t Know the Words. Robin and her housekeeper are dragged to a notorious police station where the housekeeper is brutalized. Robin is turned over to her only relative, her Aunt Enid who lives in Johannesburg. After gathering up a small suitcase, Robin’s past life is left behind.

Beauty Mbali is a well-educated teacher living with her sons in the Transkei. Looking to improve her daughter’s life, she sends her to Johannesburg to live with relatives and attend a superior school. After receiving a message that her daughter may be in trouble, she travels for more than a day to Soweto to see her. Beauty arrives in the midst of the first day of the student marches, discovering that her daughter is in the leadership and is now missing. Beauty will do whatever it takes to find her daughter.

Robin isn’t the only one adjusting to her family’s trauma. Enid is a stewardess and modern single woman with no one to account to but herself. Though she tries, upending her life to provide the care Robin requires herself is neither practical nor within her skill set. She reaches out to her network of friends, many of whom are anti-Apartheid supporters, for help. Through these channels, Beauty becomes Robin’s caregiver, confidant, and lifeline. This allows Beauty to remain in Johannesburg, though illegally, so she can continue to search for her daughter.

Bianca Marais has created two rich communities to tell her story. Bit by bit, Robin’s world expands. Her one friend is a Jewish boy, homeschooled because of the anti-Semitic bullying he receives at school. His apartment becomes a safe space and his family’s customs a source of curiosity. Enid has several gay male friends who are at times endangered by the authorities. At times it is difficult for Robin to distinguish friend from foe.

During the continuing search for her daughter, Beauty reveals elements of her family and its past. Protecting all her children leaves her torn – caring for a white child while her sons are back home and her daughter missing. Her search takes her through Soweto, balancing secrecy with her goal. Vivid descriptions of afterhours gathering places and the leaders and hoodlums that are all part of the growing uprising enrich both the story and the reader’s understanding of the times.

Both Beauty and Robin are leading their lives as survivors rather than as victims. Not always optimistic, each demonstrates inner strength consistent with her position in life. Neither is perfect and these flaws are key to the story.

As a blogger and book group leader, I have the chance to read some books before they are published or reviewed. It can be a crapshoot – some good, some meh and some not worth finishing. And then there are the special books. I love Hum If You Don’t Know the Words. There are twists, even in the beginning. As I read I could see the story unfold, almost as if a movie was taking place in my mind. This is Bianca Marais’s debut novel. It has been selected as an Indie Next selection for this month and has gotten well-deserved advance accolades. It is a great pick for book groups and to share.

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