Howard Jacobson’s ‘Shylock’ is contemporary and biting

  • Shylock Is My Name by Howard Jacobson (Hogarth Shakespeare, 2016)
  • In 40 words or less: Commissioned as one in a series of Shakespeare’s plays reconceived as contemporary novels, Jacobson skewers the “reality TV”  rich while Strulovitch, a wealthy Jewish philanthropist, questions his Jewish identity and worries about his daughter, all under the eyes of Shylock.
  • Genre: Fiction
  • Locale: England
  • Time: now
  • This book showcases the timelessness of Shakespeare’s characters and themes with Jacobson’s keen language and sardonic wit.

Simon Strulovitch lives in the countryside near Manchester, England. On a winter’s evening, he visits the grave of his mother, Leah, only to meet Shylock, still in mourning and speaking to his wife, Leah. Strulovitch invites him home and thus begins a contemporary recasting of The Merchant of Venice. Howard Jacobson is well-known for his biting assessments of his characters and their social standing.

Venice plays a major role in the story. On his honeymoon with his first wife, Strulovitch quickly realizes her idealized vision of him doesn’t mesh with his conflicted Eastern European roots. Strulovitch was angry and saddened at his father’s disownment of him for marrying outside of the faith. Upon his second marriage, there was a reconciliation and Strulovitch became a great collector of Jewish artists though his ambivalence about his Jewish identity remained.

Tragically, Kay, Simon’s second wife was felled by a stroke when their daughter Beatrice was young. Kay was left a wordless invalid and Strulevich effectively became a single parent. Shylock and Strulovitch have much in common in dealing with their daughters and as outsiders in the communities in which they live.

A mash-up of reality television elements – food and advice tv – along with a Kardashian-like figure and her acolytes are satirical devices that draw Beatrice, an aspiring performance artist, to her rupture with her father.

Woven throughout the novel is overt anti-Semitism in the community and among those Beatrice has chosen as her associates. When Beatrice, just turning 16, runs off with a football player suspended for his Nazi hand motion, Strulovitch wants him to pay.

Shylock is the classic foil to Strulovitch as he wrestles with his values and where he draws the line on taking action. It does take a leap to accept Shylock’s presence in 21st century England. However, the essential issues that these men, both as fathers and as Jews, face have changed little over the centuries. For this reason and because Jacobson can turn a phrase, that this reimagining of The Merchant of Venice is well worth reading.

This is the second of these novel riffs on Shakespeare I have read. I may give another a try.

(My earlier read was Anne Tyler’s Vinegar Girl based on The Taming of the Shrew and here is my write-up. My take on recent theatrical riffs on The Merchant of Venice is here.)

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Anne Tyler reimagines ‘The Taming of the Shrew’

  • imgresVinegar Girl by Anne Tyler (Hogarth Shakespeare, 2016; Random House Audio, Kirsten Potter, reader)
  • In 40 words or less: A commissioned reimagining of Shakespeare’s The Taming of the Shrew in novel form. Kate is a preschool teacher’s assistant “encouraged” to marry her scientist father’s research assistant before his visa expires.
  • Genre: Fiction
  • Locale: Baltimore
  • Time: Contemporary
  • Read this if you are interested reading each of the eight titles in the Hogarth modern retelling of Shakespeare’s classics.

Fair warning, I rarely opt to share my opinion on a title I can’t wholeheartedly recommend. I am making an exception having had multiple occasions in the last two weeks to consider different treatments of Shakespeare’s works. My post, ‘The fascination with Shylock’, gives a taste of my Shakespearian interactions.

Modernizing classic literature for contemporary audiences is far from new. West Side Story and Kiss Me Kate have engaged many who otherwise would have been put off by Shakespeare’s language. Film marathons could be devoted to treatments of Romeo and Juliet or Jane Austen’s Pride and Prejudice. In the spirit of finding new audiences via modern retellings by acclaimed authors, Hogarth Press has created a new series, Hogarth Shakespeare.

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A week ago, we saw The Shakespeare Theatre Company‘s all-male version of The Taming of the Shrew, the final production of the 2015-16 season. In brief, while

imagesthere were some wonderful acting performances, the shtick of the all-male casting often overtook the production. In another Shakespeare foray, prep for my book groups for next program year has made Howard Jacobson’s My Name is Shylock, his fresh look at The Merchant of Venice, courtesy of Hogarth, a preferred pick.

The third entry in the Hogarth series is Anne Tyler’s Vinegar Girl, released earlier this month. Tyler is renowned for her Baltimore-based novels of quirky family life. In theory, bringing Shakespeare’s tale of two daughters to a classic American city could give the story a different, yet spicy flavor. Anne Tyler ability to share the quirkiness of “regular” families makes her one of America’s beloved authors. In this novel, Tyler doesn’t take full advantage of the opportunity, creating a family most notable for its stultifying routine.

Thanks to Random House Audio, I had the chance to listen to Kirsten Potter’s reading of Vinegar Girl. To her credit, Potter aptly gave voice to the personality traits Anne Tyler imparted to her characters. Among the funniest characters are those least seen – Kate’s aunt and uncle that each have unique roles to play in the nuptials.

Kate and Bunny Battista are mere shadows of Kate and Bianca Minola. Kate Battista is rather aimless for a 29-year-old daughter of a widowed college professor – she’s dropped out of college and is barely hanging on to her job in a preschool with no real friends. Her off-hours are spent preparing the same one-pot meal to cover dinners for the entire week, doing her family’s laundry and criticizing her beautiful-but-empty-headed high school student sister.

Dr. Battista is in a quandary. He is concerned about continuing funding for transformative research involving rats. He seems on the cusp of a breakthrough but is faced with losing his assistant, Pyotr, whose three-year visa is about to expire. Battista’s solution is to have Kate marry him. Battista intends it be a marriage of convenience, creating pictures on his phone to convince ICE that it is a love match. Dad’s plan would have Pyotr moving into a (separate) bedroom in Battista household and Kate continuing with her domestic roles. Unlike Shakespeare’s Petruchio, Pytor is neither brash nor wealthy. In his somewhat awkward yet genuine way, he undertakes to woo Kate in furtherance of the scheme.

While Kate is hardly a warm, creative and altruistic figure, she is far from the obstinate and feisty character in Shakespeare’s play. The secondary characters at her preschool might make anyone a bit churlish. And Bunny’s high school infatuation with the boy next door hardly qualifies as the string of suitors set to marry Bianca as soon as Kate is married off.

For the modern reader or theatergoer, the treatment of Kate as little more than chattel is at best troublesome. Tyler hasn’t reached sufficiently beyond this in her novel. For its many failings as a modern comedy, the one aspect of the Shakespeare’s play that provides some relief is the comic changing/mistaken identities. While it may be an overused device across the body of Shakespeare’s work, having this twist might have added a comedic lift to Vinegar Girl.

To the good, it is genuine affection between Pyotr and Kate that carries the day in the end, rather than submission. Given such broad license with The Taming of the Shrew, I expected more.

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The fascination with Shylock

Al Pacino as Shylock

Whether you are someone who seeks out Shakespeare’s work or is uncomfortable with the language and cadence, Shakespeare’s stories and words permeate our culture. Few of Shakespeare’s characters evoke such strong feeling as Shylock, the titular character in The Merchant of Venice. When first performed over 400 years ago, Shylock was the personification of all the prejudices about Jews – clannish, money-grubbing, dirty, ugly, sanctimonious – the list goes on and on. In different eras and in different cultures, Shylock has at times received more nuanced and sympathetic treatment. Luminaries of stage and screen have taken on the role, each giving it his own take.

This year there are two very different productions with Shylock at the forefront in the Washington area. This past week, a new play based on The Merchant of Venice Unknown-5has been staged at the Folger Shakespeare Library in Washington, DC. District Merchants by Aaron Posner, brings the story to Washington in 1873, a time of great political and economic upheaval immediately following the Civil War. The Folger’s strong reputation and Posner’s skills in rethinking the work of others on the stage encouraged us to see the production. In one word GO!

images-1The massive pillars that filled more than half the set served two purposes: first, a reminder of Washington and the fundamentals that created the US, tested by the Civil War; and two, it effectively brought forward and contracted the size of the stage, increasing the interplay between the actors and audience in what is already an intimate venue.  The quintessential issues of justice and prejudice, family and peoplehood, generosity and greed flow naturally through this retelling. Each of the eight cast members lived his/her character. The melding of Posner’s and Shakespeare’s words was completely successful. Whether the Shylock’s story is set in the 16th, 19th or 21st century, its power remains the same.

For traditionalists, in late July Shakespeare’s Globe on Tour will present The Merchant of Venice at the Kennedy Center. The show is advertised as “..this new production of Shakespeare’s play dramatizes competing claims of tolerance and intolerance, religious law and civil society, justice and mercy.” Isn’t it always so?

Were this not enough, there is a new version of Shylock’s tale for those who prefer the armchair view. The Crown Publishing Group’s Hogarth Press has commissioned the retelling of eight of Shakespeare’s best-loved plays by some of Unknown-4the world’s most renowned novelists. British novelist and 2010 Man Booker Prize-winner Howard Jacobson was chosen to tackle The Merchant of Venice. His novel Shylock Is My Name was released in February. I’ll go out on a limb and predict at least one of my book groups will tackle it during the 2016-17 season. Watch this space for my assessment.

For the Anne Tyler fans out there, her take on The Taming of the Shrew will be published tomorrow.  Vinegar Girl, set in contemporary Baltimore, should be a great mashup, proving again how modern masters can bring the timelessness of Shakespeare to today’s audiences.

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Ellen in Wonderland – Day 1

imageIt doesn’t get much better than this.  Having arrived in New York midday, I set out to explore Chelsea and the Flatiron imageDistrict, the neighborhoods around my hotel. Timing being everything, Madisonimage Square is having a monthlong festival Mad. Sq. Eats bringing a pop-up food truck and cafe area to the vibrancy of Madison Square Park.  Add that to the amazing art installation for a terrific afternoon.  There was even time for knitting in the park.

Just across the street is Eataly, the enormous new Italian market/food hall/ destination. image Everywhere you look there is another amazing counter.  Me, I am always partial to a beautiful produce or fish display.  I certainly wasn’t disappointed.

My evening plans were extra-special.  Over the last few years I’ve had several opportunities to reconnect with childhood friends and fellow New Rochelle High School classmates.  Tonight three of us had a dinner/theatre evening.  Thanks to my daughter, Miriam, we snagged tickets for Hand to God, a provocative and very well-acted play.  Meri, Debbie and I had a blast.image  And I had the chance to introduce my daughter to these lovely women – priceless!

Tomorrow starts the main event – Book Expo America.  And I can’t wait!

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