‘The Fox Hunt’: Encounters with the “other”

  • The Fox Hunt by Mohammed Al Samawi (William Morrow) 2018
  • In 40 words or less: Mohammed Al Samawi’s curiosity and drive to create his own life brings him to question traditional Islamic teachings and work for NGOs in Yemen. His exploration brings international contacts in the interfaith and peace communities and endangers his life.
  • Genre: Memoir
  • Locale: Primarily Yemen
  • Time: 21st century
  • This memoir tells the story of meeting and learning about “the other,” those supposed enemies who may be far more like you than you’d imagine. It is a story of being open to learn about mistaken prejudices, and being willing to trust the good in others.

Mohammed Al Samawi was born in 1986 into a prominent Zaidi Shia family in Sana’a, Yemen, in the northern area of the country. His parents, both doctors, expected much from their children, including adherence to traditional Islamic law. A stroke left young Mohammed with lingering weakness on one side of his body. Kept from the games of the other children, Mohammed focused his attention on learning English and reading everything he could.

Through much of his teen years, Mohammed had little reason to question the Islamic teachings of his Shia community. Christians, Jews, and particularly Israel, were enemies of Islam. Southern Yemen, including the port of Aden, was dominated by the Sunnis, aligned with Saudi Arabia and the militant Muslim Brotherhood. The differences between the sects paled when dealing with infidels.

As a more modern, affluent and educated household, there was a computer and internet access in the Al Samawi home. Mohammed used this to explore the larger world, beyond his economics classes and became curious whether the teachings about Jews and Christians were really true. Mohammed sought out a job with an NGO rather than remaining a clerk in his father’s medical practice. This position provided his first opportunity to meet a Christian westerner on an ongoing basis. Wanting to learn more about both Christians and Jews, he went to the experts he could find – Google and Facebook.

The balance of the book is about the blossoming of Mohammed as a social activist, connecting to a network of people worldwide interested in Middle East understanding. Through his connections, he was invited to and attended conferences outside of Yemen, the only representative of his country. As civil war brewed within Yemen, these efforts endangered Mohammed’s life and threatened his family. In the hope of escaping before things worsened, he was sent to Aden, a city crumbling under lawlessness.

From the start, it is known that Mohammed made it to the U.S. But it is how he got to the U.S., who helped him and the lengths to which virtual strangers went to make it happen that is extraordinary. This is a book about the power individuals and social media can have to do good if so motivated. It also speaks to diplomats at all levels, in many countries, that go above and beyond to make things happen. There are many bad actors as well, thieves and partisans who act solely on ethnicity or family ties.

Mohammed names names in this book, from friends of friends to US senators and Indian diplomats. In the acknowledgments, he also mentions the person that assisted him in organizing this memoir and putting it to paper. At a time when selfishness and isolationism seem to be at a multi-decade height, this story is a reminder of what can happen when people are asked to do the impossible and get it done.

 

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Be transported with ‘Gateway to the Moon’

  • Gateway to the Moon by Mary Morris (Nan A. Talese, Doubleday) April 2018
  • In 40 words or less: Brilliant storytelling and character development propel the reader from the Spanish Inquisition/Expulsion and Columbus’s exploration to the desert of New Mexico five centuries later. Morris weaves together history, astronomy, human frailty, and the strength of family bonds across generations.
  • Genre: Literary fiction/Historical fiction
  • Locale: Spain, Portugal, New World, and New Mexico
  • Time: 1492-1500 and 1992
  • A rare novel combining two periods of discovery. Historical figures are carefully researched and noted as such in the listing of characters and families. Gateway to the Moon is also a coming of age story for a teen whose connection to the stars is his solace and path to the future.

As long as I’ve been in book groups I’ve searched for an engrossing novel that brings to life the conflicted period of Spain’s ascendancy as a world power and the injustices and horrors of the Inquisition and the Jews expulsion from Spain. Even less common are writings about those along on Columbus’s first expedition and what may have transpired with those left behind as the ships returned to Spain. Finally, there is a book that fills this void.

Mary Morris has the special hand required to mix history and historical figures with fictional characters with due respect to both. Even before Chapter 1 begins, Morris provides a framework for navigating the pathway from fact to fiction and back.

Miguel Torres has his feet in the dust of Entrada de la Luna and his eyes in the stars. A loner, he is fascinated by space and his thirst is recognized by his science teacher who works to keep him on the straight and narrow. Poverty and boredom are often the ticket to “juvie”, a brief trip Miguel has already taken. A chance sighting of an ad for someone to help with two small boys after school may be the way for Miguel to afford a better telescope and car money. Respectful of his elders, but in large measure raising himself, he’s dutiful about heading home Friday nights where his mother prepares the trailer for candle lighting.

The story shifts 500 years to 1492. Among those on Columbus’s ships as they left Spain in 1492 were linguists, navigators, and cartographers from the crypto-Jewish community who lives would have been at risk as the Inquisition and Expulsion pressures increased. Separated from their families, these men and boys held out hope they’d find a new home for themselves and their families at the end of their voyage. Through Luis de Torres, Columbus’s scribe, others on the ships and those left behind, Morris richly describes the fragmenting of families even as Columbus anticipates riches and glory.

This is a book filled with beautiful language. Descriptions provide just enough detail to conjure up pictures without detracting from the characters or plot. While Columbus and Miguel look to the stars for orientation, each of the other characters must adapt to the unexpected and does so in a fitting and natural way which isn’t easy to pull off.  Chapter titles provide orientation in time and place, and the character lists and genealogy at the front of the book are there in the event the reader is momentarily distracted from the story’s flow.

The Jazz Palace, Mary Morris’s previous book set in Chicago during the early years of the 20th century, took on history, the development of jazz, discrimination, and families. While that was a big undertaking, Gateway to the Moon takes on a bigger challenge and brings it home. Whether your taste runs to coming of age stories, hidden communities or history brought to life, you will find it in Gateway to the Moon. This is an ideal book for book groups and will quickly push its way to the top of your to-be-read pile.

 

 

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Not All ‘Enchanted Islands’ Are Paradise

  • Enchanted Islands by Allison Amend (Doubleday), 2016
  • In 40 words or less: Loosely based on a woman who lived with her husband on the Galapagos Islands prior to WWII,  a novel of a woman striving to overcome the poverty of an immigrant home, using her skills and life-long secretiveness to become a US spy.
  • Genre: Historical Fiction
  • Locale: Duluth, Chicago, San Francisco, Galapagos Islands
  • Time: 1890-1964
  • Readers who enjoy exotic settings will find the descriptions of life on the islands fascinating. The lives of the fictional Frances and Ainslie Conway are far more complicated than just their intelligence mission and likely than their real lives.

Allison Amend had taken a lovely nugget, two memoirs of Frances Conway’s experience in the Galapagos Islands, and used it as a springboard for this novel of hardship, transformation, and love. Amend imagined Frances as one of seven children born to Polish-Jewish immigrants to Duluth in the 1880s. The early portions of the novel contrast her family life with that of her friend Rosalie, the only child of educated German immigrants. Despite the relative comforts of Rosalie’s home, dark secrets propel the two to leave for Chicago at fifteen.Woven into the plot are historical details about the roles young women on their own could take at the turn of the 20th century. Franny and Rosalie sought out the Jewish community to provide a lifeline as they first arrived in Chicago but had no interest in assimilating into that life. In the course of her secretarial work, Franny also becomes involved in the surreptitious publication of early Zionist newsletters, not out of interest but rather through happenstance.

Franny and Rosalie take differing paths to securing their futures. After a blow-up with Rosalie, Frances heads west, initially to live on a farm, later to California as a secretary in military intelligence.  These experiences become the qualifications she needs to enter into an arranged marriage with an intelligence officer who is to be posted to the Galapagos Islands to keep an eye on the German residents suspected of providing information to the growing Reich. Before leaving San Francisco, Franny and Rosalie reunite. Rosalie is now a wealthy society matron, involved in the civic and Jewish community, living a life she’d like to share with Franny, her oldest and only true friend.

Franny’s marriage to Ainslie Conway is a creation of spycraft. Neither had been married or expected to. The cover story for “going native” was to remove Ainslie from the temptations of alcohol, apparently one of the facts this story hangs on. As the narrator, Franny’s vulnerability and desire for all levels of intimacy are revealed. Reading with 21st-century sensibilities, the challenges to their marriage are clear.

Amend does a wonderful job of describing the daily challenges that the rough terrain, limited supplies, and communications cause during their time in the Galapagos. On an island with less than a dozen residents, most of whom were German,  privacy was highly valued and there was little cushion between basic survival and potential disaster.  Medical care and any other services from more populated areas were days, if not weeks, away. Given the intelligence operations, using the hidden military radio was limited to specific purposes. As the war approached, US naval vessels periodically approached the island for reconnaissance purposes.

As is clear from the start, Franny and Rosalie are destined to reconnect again and the story comes full circle. Amend has an ambitious agenda with Enchanted Islands. She takes on the Jewish immigrant experience, the exploitation of young women, early feminism, spycraft and life in an exotic locale. Throughout it all, loyalty and friendship are key. While there is a lot to learn about life just before the war in the Galapagos, don’t expect to meet the real Frances, Ainslie or Rosalie.  Knowing this up front is good enough for me.

 

 

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Taking in the big picture with ‘The Beauty Queen of Jerusalem’

  • The Beauty Queen of Jerusalem by Sarit Yishai-Levi (Thomas Dunne Books, translation 2016)
  • In 40 words or less: A window into the difficult life in Jerusalem primarily between the end of WWII and the beginnings of the State of Israel.  Yishai-Levi weaves together stories of four generations of a family descended from the exiles of the Spanish Inquisition.
  • Genre: Historical Fiction
  • Locale: Jerusalem
  • Time: 20th century
  • This book, a bestseller in Israel, is a cross between a love letter to the seven generations of Jerusalemites in her family before her and a revelation of genuine cultural elements that created the boundaries in which her characters lived. Ideal for book group discussion.

Sometimes the appeal of a book goes beyond the story.  Sarit Yishai-Levi’s novel is rare in time, setting and community.  For those Israelis descended from Spanish Jews who migrated to Jerusalem in the early 19th century or earlier (often via Greece), the language and culture of the Ermosa family and their neighbors ring true.

In the Spaniol community, it is vital that marriage partners come from within the community. Many of the marriages are arranged, formally or less so. For several generations, it has been the curse of the Ermosa men that they fall in love with unsuitable women. Reined in by their parents, they marry more “suitable” partners and live with a longing for what they have lost. This disaffection is similarly passed down from generation to generation.

The pivotal character in The Beauty Queen of Jerusalem is Luna, the eldest and most beautiful of the three Ermosa daughters. Luna is her father’s favorite but a thorn in her mother’s side. She aspires to a fashion magazine lifestyle, separating herself as much as possible from the expected path.

The family’s life is circumscribed by the neighborhood and the family business. The expectation is that daughters will receive a basic education, get married and settle near family, working in the store only if truly needed. Everyone lives in close quarters with none of the conveniences one might imagine of a merchant family in the 1940’s. Their world begins to change dramatically as local boys return from serving with the British in WWII. These young men are looking to establish themselves and to choose their partners. Some become a part of the growing cells working to undermine the British Army enforcing the Mandate. These are some of the external forces compelling change in Luna’s generation.

Most Israeli novels seen in the US marketplace have been written by men. These men are usually the sons or grandsons of Eastern European immigrants that arrived either in the pioneer days or came as a consequence of the Holocaust. Less frequent are writings by the descendants of Jews of the Middle East, North Africa or the Iberian peninsula. The strength of The Beauty Queen of Jerusalem is the window it provides into the lives of the deeply rooted community where Ladino, not Yiddish, is the language of the home, and the cultural orientation is to the Middle East, not Europe.  The success Yishai-Levi has received with this novel is as much a testament to the love she shows for her Sephardic roots as it is for the story she has told.

 

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Howard Jacobson’s ‘Shylock’ is contemporary and biting

  • Shylock Is My Name by Howard Jacobson (Hogarth Shakespeare, 2016)
  • In 40 words or less: Commissioned as one in a series of Shakespeare’s plays reconceived as contemporary novels, Jacobson skewers the “reality TV”  rich while Strulovitch, a wealthy Jewish philanthropist, questions his Jewish identity and worries about his daughter, all under the eyes of Shylock.
  • Genre: Fiction
  • Locale: England
  • Time: now
  • This book showcases the timelessness of Shakespeare’s characters and themes with Jacobson’s keen language and sardonic wit.

Simon Strulovitch lives in the countryside near Manchester, England. On a winter’s evening, he visits the grave of his mother, Leah, only to meet Shylock, still in mourning and speaking to his wife, Leah. Strulovitch invites him home and thus begins a contemporary recasting of The Merchant of Venice. Howard Jacobson is well-known for his biting assessments of his characters and their social standing.

Venice plays a major role in the story. On his honeymoon with his first wife, Strulovitch quickly realizes her idealized vision of him doesn’t mesh with his conflicted Eastern European roots. Strulovitch was angry and saddened at his father’s disownment of him for marrying outside of the faith. Upon his second marriage, there was a reconciliation and Strulovitch became a great collector of Jewish artists though his ambivalence about his Jewish identity remained.

Tragically, Kay, Simon’s second wife was felled by a stroke when their daughter Beatrice was young. Kay was left a wordless invalid and Strulevich effectively became a single parent. Shylock and Strulovitch have much in common in dealing with their daughters and as outsiders in the communities in which they live.

A mash-up of reality television elements – food and advice tv – along with a Kardashian-like figure and her acolytes are satirical devices that draw Beatrice, an aspiring performance artist, to her rupture with her father.

Woven throughout the novel is overt anti-Semitism in the community and among those Beatrice has chosen as her associates. When Beatrice, just turning 16, runs off with a football player suspended for his Nazi hand motion, Strulovitch wants him to pay.

Shylock is the classic foil to Strulovitch as he wrestles with his values and where he draws the line on taking action. It does take a leap to accept Shylock’s presence in 21st century England. However, the essential issues that these men, both as fathers and as Jews, face have changed little over the centuries. For this reason and because Jacobson can turn a phrase, that this reimagining of The Merchant of Venice is well worth reading.

This is the second of these novel riffs on Shakespeare I have read. I may give another a try.

(My earlier read was Anne Tyler’s Vinegar Girl based on The Taming of the Shrew and here is my write-up. My take on recent theatrical riffs on The Merchant of Venice is here.)

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