RELEASE DAY REVIEW: If You Want to Make God Laugh

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  • If You Want to Make God Laugh by Bianca Marais (Putnam) July 16, 2019
  • In 40 words or less: At the start of Mandela’s presidency, South Africa’s changes are seen through the lives of estranged white sisters and a black teenager. Living in a community wrestling with conflicts of old and new, the women confront secrets that define them.
  • Genre: Fiction
  • Locale: South Africa
  • Time: 1994
  • In her second novel, Bianca Marais once again uses a defining moment in South Africa’s history as the backdrop for her story.

If You Want to Make God Laugh is told in three voices – Ruth, a fading socialite; Delilah, Ruth’s sister who returns from decades as a nurse in the wild; and Zodwa, a teenage girl with dreams of educating herself to be a part of the New South Africa.

After the breakup of her marriage, Ruth returns to the family home to lick her wounds and figure her next move. Out of the blue her sister, Delilah, appears, having received a letter that a gunshot has left someone dear to her in very critical condition. Zodwa fails in ending an unexpected pregnancy, endangering her prospects for an education, and dashing the hopes of her mother who is herself facing serious health challenges.

Laugh is a novel of three women each taking charge of her own life within the realities of the “new” South Africa. In this novel, politics are less a player than the periodic conflicts the women face in dealing with those seeking to wrest back the power and prestige of the Apartheid days. This is also the period when AIDS became rampant in South Africa, with misinformation, superstition, and prejudices. Bigotry, denial, and a profound lack of medical resources and support for patients and families created a far larger crisis for a country undergoing political and social upheaval.

Bianca Marais is a wonderful storyteller, clearly distinguishing her characters and their voices. To help frame her stories, she paints a full picture of the setting so the reader can visualize the space or location without any sense of being bogged down with details.

As an early reader of both of Bianca Marais’s novels, I’ve had the opportunity to take them in, unencumbered by the opinions of others.  Hum If You Don’t Know the Words (review here) sent me searching for more on the Soweto uprising. Even those generally well-informed, had little access at the time to on the ground reporting. “Seeing” the events through the eyes of the characters gives a different perspective on history.

For me, Laugh is a more universal story, colored by the historic changes in South Africa. It is a novel of finding oneself, creating family, and forgiveness.  The issues Ruth, Delilah, and Zodwz face are also very contemporary – sexual abuse, militant white nationalism, the AIDS crisis, and women needing to reclaim their lives from trauma. In both books, Bianca’s love of the country of her birth shines through.

While each stands on its own, Hum definitely begat Laugh, with connections from one to the other. It is reassuring to see beloved characters return, if briefly, and know in fiction, as in life, there is influence from one generation to the next.

 

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The Last Watchman of Old Cairo


  • The Last Watchman of Old Cairo 
    by Michael David Lukas (Spiegel and Grau) March 2018
  • In 40 words or less: Mixing historical figures with a centuries-long fictional story, Lukas brings to life the centuries-long intertwining of the Muslim and Jewish communities. In the modern thread, a graduate student heads to Cairo to learn more about the father he barely knew.
  • Genre: Historical fiction
  • Locale: Cairo, Egypt; Berkeley, CA; and England
  • Time: 11th/12th century to the end of the 20th century
  • The true story of centuries worth of documents discovered at the end of the 19th century is a centerpiece of the novel.

Until the middle of the 20th century, Jews and Muslims lived side by in Cairo as they had for almost a millennium. In the 1950’s, Egypt’s Jews were expelled, emigrating to Israel, France, and the United States.  A Jewish girl and Muslim boy, childhood friends, were reunited briefly in Paris in 1973, separating again before they knew of her pregnancy. Their child, Joseph, was raised in the US, only visiting his Egyptian family during an occasional summer, and maintaining his ties with his father through stories his father would tell over the phone.

Joseph’s father was the last in the line of Al-Raqb men who had served as night watchmen at Ben Ezra synagogue for generations. While not of high status, this was a position of great trust. After his father’s death, Joseph received a box with a piece of paper in Arabic and Hebrew, suggesting that Joseph should travel to Cairo. Joseph takes a leave from his graduate studies to connect with his late father and the secret he wanted to share.

In the late 1890s, Scottish twin sister adventurers and amateur scholars, Agnes Smith Lewis and Margaret Dunlop Gibson, brought fragments of Hebrew texts to Rabbi Solomon Schechter, a researcher in England. An expedition was arranged for Schechter to evaluate and bring back material from the Geniza, the repository for Hebrew sacred writings that may be torn or otherwise discarded, in the Ben Ezra Synagogue. While Schechter was in Cairo, Agnes and Margaret paid a visit while en route to the Holy Land. They, too, were interested in acquiring documents.  Michael David Lukas has made this on-site research project and interactions with prominent members of the Cairo Jewish and political communities a major storyline in the novel. Having previously read detailed accounts of this project, referenced by Lukas in notes about his research, this fact-based view into life in Cairo during this period is particularly intriguing.

Joseph’s visit with his family is not without some bumps. Culturally he is American through and through so there is the necessary adaptation to both pace and style. Additionally, Joseph is hesitant to reveal aspects of his life and plans to the family. Joseph is gay, and that plays a part, though doesn’t define the story.

When historical fiction is very successful it may entice the reader to explore periods or places in history that previously were unfamiliar.  The Last Watchman of Old Cairo does this and much more. Joseph’s Cairo is not that of the Arab Spring. It speaks to a time shortly before, when the flavor of the city was still captured in families with centuries of history. And just as the last watchman has died off, so has the Old Cairo that was home to people of all the Abrahamic religions, living and working together.

 

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Be transported with ‘Gateway to the Moon’

  • Gateway to the Moon by Mary Morris (Nan A. Talese, Doubleday) April 2018
  • In 40 words or less: Brilliant storytelling and character development propel the reader from the Spanish Inquisition/Expulsion and Columbus’s exploration to the desert of New Mexico five centuries later. Morris weaves together history, astronomy, human frailty, and the strength of family bonds across generations.
  • Genre: Literary fiction/Historical fiction
  • Locale: Spain, Portugal, New World, and New Mexico
  • Time: 1492-1500 and 1992
  • A rare novel combining two periods of discovery. Historical figures are carefully researched and noted as such in the listing of characters and families. Gateway to the Moon is also a coming of age story for a teen whose connection to the stars is his solace and path to the future.

As long as I’ve been in book groups I’ve searched for an engrossing novel that brings to life the conflicted period of Spain’s ascendancy as a world power and the injustices and horrors of the Inquisition and the Jews expulsion from Spain. Even less common are writings about those along on Columbus’s first expedition and what may have transpired with those left behind as the ships returned to Spain. Finally, there is a book that fills this void.

Mary Morris has the special hand required to mix history and historical figures with fictional characters with due respect to both. Even before Chapter 1 begins, Morris provides a framework for navigating the pathway from fact to fiction and back.

Miguel Torres has his feet in the dust of Entrada de la Luna and his eyes in the stars. A loner, he is fascinated by space and his thirst is recognized by his science teacher who works to keep him on the straight and narrow. Poverty and boredom are often the ticket to “juvie”, a brief trip Miguel has already taken. A chance sighting of an ad for someone to help with two small boys after school may be the way for Miguel to afford a better telescope and car money. Respectful of his elders, but in large measure raising himself, he’s dutiful about heading home Friday nights where his mother prepares the trailer for candle lighting.

The story shifts 500 years to 1492. Among those on Columbus’s ships as they left Spain in 1492 were linguists, navigators, and cartographers from the crypto-Jewish community who lives would have been at risk as the Inquisition and Expulsion pressures increased. Separated from their families, these men and boys held out hope they’d find a new home for themselves and their families at the end of their voyage. Through Luis de Torres, Columbus’s scribe, others on the ships and those left behind, Morris richly describes the fragmenting of families even as Columbus anticipates riches and glory.

This is a book filled with beautiful language. Descriptions provide just enough detail to conjure up pictures without detracting from the characters or plot. While Columbus and Miguel look to the stars for orientation, each of the other characters must adapt to the unexpected and does so in a fitting and natural way which isn’t easy to pull off.  Chapter titles provide orientation in time and place, and the character lists and genealogy at the front of the book are there in the event the reader is momentarily distracted from the story’s flow.

The Jazz Palace, Mary Morris’s previous book set in Chicago during the early years of the 20th century, took on history, the development of jazz, discrimination, and families. While that was a big undertaking, Gateway to the Moon takes on a bigger challenge and brings it home. Whether your taste runs to coming of age stories, hidden communities or history brought to life, you will find it in Gateway to the Moon. This is an ideal book for book groups and will quickly push its way to the top of your to-be-read pile.

 

 

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Ending the book review hiatus

hiatus (noun) hī-ā-tus

According to Merriam Webster, a hiatus is “an interruption in time or continuity breakespecially a period when something (such as a program or activity) is suspended or interrupted “

Well, my reviewing hiatus is coming to an end.

If you’ve been following my posts and reviews, you may have noticed the silence over the last few months. It’s not that I haven’t been reading, but I’ve been reading differently. The political and social storms of the last year have taken over the conversation – at the dinner table and wherever people gather. The book groups I work with have been similarly affected by political overload.

Living just outside the beltway, the past year hasn’t been measured from January 1, 2017, to January 1, 2018, rather from the inauguration/women’s march to the government shutdown. The events of the year have led to new involvement and activism, and the expectation of daily upheavals of one variety or another.

Not surprisingly, in the book world, some of the emerging themes dovetail with current events. Harrowing stories of immigration and survival appear weekly as memoirs and fiction. Each has the power to put a human face on very difficult issues, particularly for readers who may have little contact with immigrant communities. Racism, assimilation, and America’s economic and cultural divide are also common topics. While I have added a number of these to my to-be-read lists, reading them while absorbing the news is often just too hard.

So what have I been reading? In addition to books for group discussions, I’ve upped my reading of “comfort books”. For me, it’s a combination of historical mysteries and new books that are getting buzz in newspapers and online, though I’m steering clear of “ripped from the headlines” themes. Look for posts on the following titles over the next few weeks as I start reducing the backlog:

  • Waking Lions by Ayelet Gundar-Goshen
  • Ginny Moon by Benjamin Ludwig
  • Hillbilly Elegy by J.D. Vance – a view one year later
  • Y is for Yesterday, an appreciation of Sue Grafton

Out of gratitude for your patience as I worked through this, I’m including a link to end of the year top book picks from a variety of sources. Bookreporter.com is one of my go-to sources for future book group choices. Here is  Bookreporter.com’s compilation of 2017 Best Books lists.

So when next we’re in touch, please let me know what you are reading. I’ll happily share what I’m carrying in my bag!

 

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The Hidden Light of Northern Fires

  • Hidden Light of Northern Fires by Daren Wang (St. Martin’s Press; August 2017)
  • In 40 words or less: Town Line, New York had a rare outpost of secessionists as the Civil War approached.  Mary Willis puts her family home and business in jeopardy as a stop on the Underground Railroad. Wang imagined this story from materials found in his hometown.
  • Genre: Historical Fiction
  • Locale: US (Buffalo area, NYC)
  • Time: Civil War
  • Historical fiction can send a reader straight to the internet to learn more. Elements of this novel did just that for me. It is a September Indie Next pick.

Mary Willis wants more than small town life after her college graduation in 1859.    A visit to her alma mater draws her into aiding the Underground Railroad, crucial since her family lives near the Canadian border. The Willis family is very prominent in Town Line, New York, with farmlands, a lumber mill, and a well-established business shipping and selling materials throughout the region. Mr. Willis is a town commissioner as well, further ensuring his influence.

Town Line is a split community. While many are in favor of Lincoln and the north in the impending war, a group of German immigrants, led by their minister, are sympathetic to the southern cause and believe that escaped slaves should be caught and returned as property. Several among them scour the area as armed bounty hunters, known as Copperheads, creating dangerous confrontations among neighbors.

At the start of 1861, Joe Bell has reached New York after fleeing Virginia. Taught to read by his master and very skilled, Joe is better equipped to navigate the dangers than many others. So close to freedom, Joe tangles with two Copperheads and is badly wounded, finally seeking cover on Willis property. His good fortune in this choice is tainted by the vengeance sought for the casualties of the encounter. From then forward, Joe’s and Mary’s lives are inextricably entwined.

Leander Willis is the family’s heir apparent. More interested in hanging around with his childhood buddies, his father dispatches him to nearby Buffalo to begin to learn the ropes of the family business. Leander is easily distracted by the wheeling and dealing and the lure of nightlife. Soon he is drawn to New York City and his life spirals out of control, damaging the family business in the process.

After returning home, Leander seeks redemption by banding together most of his friends as recruits for the Union Army. As a son of a prominent family, Leander is commissioned as an officer, common practice in the day. Soon they realize that the war is not the lark they imagined.

The beauty of Daren Wang’s debut novel is the teasing out of new facets of history within an engaging story. I’m a big fan of authors who drop bread crumbs to encourage readers to research the veracity of surprising details within the story. Wang did this very well. Most stories of the Civil War focus on Gettysburg and south. Bringing to the fore the northern experience and Canadian involvement is a welcome change. The characters he created are complicated, many admirable, others less so. Throughout the book, people are forced to deal with the consequences of their choices.  The mix of characters, history and plot twists make for a worthy addition to Civil War historical fiction.

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