Category: Fiction

Sharing books with Mom

Regardless of where you sit on the family tree, there is likely a mother (daughter, sister,  in-law, or you) in your life that is deserving of recognition. Just as I’ve shared suggestions of books for Dad in the past, mothers should have equal time.

For Mother’s Day, you want to give (or get) just the right thing.  One thing likely has not changed from the days when a handmade macaroni necklace was perfect – it’s the thought you put into it that counts. There are more pluses to giving books than the obvious reasons.

When you select a book you are opening a conversation. Are you giving a book you’ve enjoyed or one that reminds you of a shared experience? Is it by Mom’s favorite author or takes place in a city she loves? Whether it becomes her new favorite or not, talking books is usually interesting, often more so if you disagree about merits of a title.

Before I give some of my picks, I’d suggest you think about those titles that you’d read again, either because they entertained or informed you. They may be a perfect choice for gift giving. Please share your picks in the comments.

Here are some titles and authors my mother may see if she hasn’t already. Titles with links have my reviews:

  • Helen Simonson’s  The Summer Before the War or Major Pettigrew’s Last Stand. Two novels of English small town life with endearing characters, the first WWI-era and the second contemporary.
  • The Girls of Atomic City is a fascinating look at the integral secret role women played in the development of the atomic bomb. Oak Ridge was created almost overnight from nothing and was at the forefront of research (and social engineering) during the latter days of WWII. By Denise Kiernan.
  • Geraldine Brooks really does have something for every Mom! My favorites are Year of Wonders, a fictional account of a real community that isolated itself during the plague, and Foreign Correspondence, her memoir of her beginnings as an Australian schoolgirl whose pen pals set the stage for her career as a journalist and author. March and People of the Book are also great choices!
  • Israeli novels in translation are a favorite of mine. Three picks are The English Teacher by Yiftach Reicher Atir, a novel about the high personal price of life in the intelligence service, and The Hilltop by Assaf Gavron, a contemporary story of the complexities and absurdities of life in an Israeli settlement. Lastly, The Beauty Queen of Jerusalem by Sarit Yishai-Levi is a novel about life in Palestine/Israel at the end of WWII and the beginnings of the State told in the rare voices of generations of a Sephardi family. This view has made it a huge bestseller in Israel. My review will appear soon.
  • Three very different historical fiction stories of strong women are The Girl Who Wrote in Silk by Kelli Estes (19th/21st century), The Pearl that Broke Its Shell by Nadia Hashimi (20th/21st century), and The Widow’s War by Sally Gunning (18th century).
  • Start her on Louise Penny’s Three Pines/Inspector Gamache mysteries and she will have books to keep her busy for months. A Great Reckoning was just released in paperback, or start at the beginning with Still Life. Rich characters that deal with life’s big issues in a setting you wish you could visit. There are many reasons her fan base is so loyal.
  • Perla, Carolina deRobertis’s magical novel about seeking identity during Argentina’s “Dirty War” will send her searching for information about the Madres de Plaza de Mayo, the women who demonstrated and sought out information about their children and grandchildren “disappeared” by the government.
  • For something totally unexpected, share one of these stories about the American West immediately after the Civil War. News of the World is a beautiful small book by Paulette Jiles about a newsreader and a young girl rescued from Indian captors. Epitaph, Mary Doria Russell’s novel about the legendary Earp brothers and Doc Holliday, has just been optioned for a movie. I’d stand in line to see either on the screen.
  • Speaking of the screen, The Immortal Life of Henrietta Lacks by Rebecca Smoot and The Zookeeper’s Wife by Diane Ackerman are wonderful nonfiction titles have been adapted recently.
  • I love Venice and I’m a sucker for detective stories. Donna Leon’s Commissario Brunetti keeps me coming back to explore that wondrous city. There are now 26 titles in the series. While the principals have aged some since the beginning, it is not critical to read them in order.
  • If you, or the mother in your life, enjoys short stories, travel, and mysteries, check out the Akashic Noir series of titles. There are books for cities from Baltimore to Belfast to Beirut and beyond, each with stories written by local authors.
  • Finally, some “drop everything and read” titles that are perfect for getting away. Lillian Boxfish Takes a Walk by Kathleen Rooney is a new gem, based in part on the life of the top female advertising copywriter in the first half of the 20th century. The Truth According to Us is Annie Barrow’s story of long-held family secrets wrapped up with lots of information about the National Writer’s Project which employed writers to tell the histories of small-town America during the Depression. Before Me Before You, Jojo Moyes penned The Girl You Left Behind, a novel of life in the French countryside during WWI, a painting, and questions of its ownership almost a century later.

This lengthy listing barely touches on the possibilities. I specifically avoided WWII/Holocaust historical fiction. There are many, many wonderful and well-promoted books in this genre. Cookbooks and food memoirs with rich stories would be great for foodies but they are specific to individual tastes (excuse the pun!) Short story collections are making a big comeback, as are narrative nonfiction titles. While a few biographies or memoirs have been included, an entire list could be made of this genre. Still looking for something else? There are many recommendations on the website.

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Wandering NYC and life with Lillian Boxfish

  •  Lillian Boxfish Takes A Walk by Kathleen Rooney (St. Martin’s Press, 2017)
  • In 40 words or less: Lillian was a woman before her time. On New Year’s Eve, at 85 years old, she sets out to walk the important landmarks of her life in New York and revisit decisions, good and bad.
  • Genre: Fiction
  • Locale: Primarily NYC
  • Time: New Year’s Eve 1984 and flashbacks
  • This book was pure pleasure. Lillian is based on a woman copywriter for Macy’s beginning in the 1930s. Kathleen Rooney captures both the bon vivant and the troubles that make a story worth reading. As a dedicated walker and child of New York, I was with Lillian every step of the way.

New York City has long been the destination for writers, actors and other aspirants with dreams beyond Main Street at home. Kathleen Rooney creates in Lillian Boxfish a woman pushing the envelope of the 20th century. Conveniently, Lillian is born in 1900 and comes of age with the new freedoms of the 1920s. This affords her the opportunity to seek a career in New York after graduating Goucher College, of course, living in a women’s residence, suitable for unaccompanied young ladies of the era. She eventually secures a position as an assistant copywriter for R.H. Macy, writing copy for the clever ads popular until widespread television advertising changed the field.

Lillian loves New York as much as she loves her independence. As a career woman of that era, her evenings and weekends were devoted to enjoying all the city had to offer and her growing expertise as a poet. Her colleagues were her core friends and occasional frenemy. While always very social, Lillian was disinclined to marry, move to the suburbs or give up her career.

All these stories are recounted in the course of New Year’s Eve, 1984, as Lillian walks across Manhattan, visiting many of the places that have defined her life. Although setting out alone, she isn’t particularly lonely, confidently stopping in fashionable restaurants for a cocktail and continuing on. At 85, she is still fit and interested in engaging with the city and all it offers, including bodega owners and young photographers she happens to befriend.

Lillian’s life has its share of missteps along with the successes. She marries and has a child late in life for someone of that era while continuing to work. Changing societal attitudes run throughout, and her beloved career at Macy’s eventually comes to an end.  As a trailblazing woman in advertising, she is held as an icon and then abandoned as the feminist movement begins to take hold.

Rooney’s novel is a welcome change of pace. Adding to the attraction of Lillian’s character is the knowledge that she is inspired by the real life of Margaret Fishback, who did hold an assistant copywriter’s position with Macy’s and had her poetry published. While the story is pure fiction, I’d certainly like to be Lillian when I grow up!

 

 

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Making amends, making friends

  • My Grandmother Asked Me to Tell You She’s Sorry by Fredrik Backman (Atria Books, 2015)
  • In 40 words or less: Seven-year-old Elsa and Granny are best friends. Precocious and a misfit among her peers, Elsa gains strength from the magical stories Granny weaves. After Granny’s death, Elsa is sent on a quest connecting people Granny met throughout her life.
  • Genre: Fiction
  • Locale: Non-specific Sweden
  • Time: 2012
  • This book is for you if you enjoy quest literature. Some characters are reminiscent of those in the Harry Potter books. Be aware that suspending belief about the sophistication of a seven-year-old is necessary. It is definitely NOT like A Man Called Ove.

Fredrik Backman made a splash on the literary scene when A Man Called Ove was first published in the U.S. in 2014. His third title, Britt-Marie Was Here, was released last summer. When I had the chance to speak with Backman at Book Expo America last May, I asked which of his books he’d suggest for some book groups I facilitate. His recommendation was My Grandmother… precisely because people seemed to either love or hate it. And he was right.

I am a sucker for a quest. I recommend Markus Zusak’s I Am the Messenger at every chance I get. Backman does an admirable job of connecting the reader to Granny and Elsa. While it is very hard to imagine that seven-year-old Elsa really has read all the Harry Potter books multiple times, it is no stretch to understand why her eccentric, anti-establishment Granny is her anchor in her confusing family. Elsa’s mother works constantly and is pregnant with Halfsie, soon to be Elsa’s half brother. Everyone seems to adore her stepfather but they have no special connection.  And her father and his new family are not very involved in her life. When Granny isn’t getting into scrapes with the local police and businesspeople she devotes all her attention and imagination to Elsa.

Granny’s unexpected death leaves Elsa bereft and adrift. The small apartment building that Granny and Elsa lived in is filled with characters. Some are a part of daily life, whether Elsa likes it or not. Others are disconnected and often far from view. Delivering an envelope written by Granny to a neighbor sends Elsa on a journey to learn about them all.

My Grandmother Asked Me to Tell You She’s Sorry is alternately humorous and touching. The imaginary world Granny created to ease Elsa’s night fears is complex with memorable elements. Some of Backman’s descriptions of Elsa’s neighbors are reminiscent of people met in the pages of J.K. Rowling’s novels.

As Fredrik Bachman told me, some love the book, others really not. Having Elsa be a seven-year-old is a real sticking point for many. Backman used the timing of the 2004 tsunami in Indonesia to bring Granny back home to care for her granddaughter, a choice that created unnecessary hurdles. For those who can buy into the intellectually precocious Elsa, Granny’s imaginary world, and the quest to find Elsa’s true family, My Grandmother Asked Me to Tell You She’s Sorry may be a worthy undertaking.

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My visit to ‘Station Eleven’

  • Station Eleven by Emily St. John Mandel (Alfred A. Knopf, 2014) Audiobook – Kirsten Potter, narrator (Random House Audio)
  • In 40 words or less: A famed actor collapses on stage as a worldwide flu pandemic that destroys civilization begins.  Twenty years later, the survivors struggle. Despite desperate conditions, they cherish fragments of life before and seek family and community connections in their new world.
  • Genre: Post-apocalyptic Science Fiction
  • Locale: Toronto, Great Lakes region
  • Time: Near future
  • Read this if you think post-apocalyptic fiction is not your thing. A beautifully crafted story with compelling characters that will likely surprise you.

I admit it. I steer way clear of classic science fiction and dystopic literature. There are so many books I’ll never have the chance to read in my preferred genres so why bother. Last month we took a road trip to visit family in South Carolina. As usual, we explored out of the way places (good material for another post) and avoided radio roulette by downloading audiobooks. I’d been hearing about Station Eleven for two years and thought it might bridge the differences in our reading tastes. It turned out to be a great decision.

Emily St. John Mandel uses the stage to open Station Eleven. Arthur Leander, a noted actor, is starring in an unusual production of King Lear which includes a few child actors. During the performance, he collapses in full view of the audience and one of the young girls. Despite the best efforts of an EMT in attendance, he dies. The lives of these three characters – Arthur, Kirsten, and Jeevan- are inexorably linked across more than three decades, from the earliest days of Arthur’s film career to twenty years after the earth’s population was virtually destroyed in a flu pandemic.

Jeevan, the EMT, leaves the theater into a Toronto snowstorm and learns of the virulent flu from a doctor watching patients sicken and die in the emergency room. With great descriptive detail, Mandel follows Jeevan as he stockpiles cart after cart of supplies from a closing store and then drags them to his brother’s high-rise apartment where they seal themselves in, hoping to escape unscathed.

Almost twenty years later, Kirsten is traveling the Great Lakes Region with a group of musicians and actors that perform concerts and Shakespeare when they encounter other small groups of survivors. Without electricity or other measures of modernity, daily life requires foraging and scavenging through buildings and cars abandoned as the owners died. Kirsten has blocked out the early years after the pandemic but continues to seek out information about Arthur, who showed her great kindness and gave her a book that’s her constant companion.

Also traveling the region is a young cult leader known as the Prophet, controlling his followers by force and intimidation. The encounters between the groups are classic good vs evil, with some twists. And it all began with Arthur.

Station Eleven is filled with comfortable individuals. Fully-drawn, they are far from perfect beings. Heroic actions come from innate humanity and personal growth, not superpowers. This combination of story and character makes this a genre-busting winner. The audiobook version, narrated by Kirsten Potter, seamlessly shifted from character to character allowing the story to shine brightly.

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Afghani Women Showing Their Strength

  • unknown-7The Pearl that Broke its Shell by Nadia Hashimi (Harper Collins, 2014)
  • In 40 words or less: Two young Afghani women, separated by four generations,  struggle to find their rightful places in their families and society.
  • Genre: Historical fiction
  • Locale: Afghanistan
  • Time: Early 20th and early 21st centuries
  • Read this to better understand the historical issues for women in Afghanistan, regardless of who is in power.

“I was a little girl and then I wasn’t. I was a bacha posh and then I wasn’t. I was a daughter and then I wasn’t. I was a mother and then I wasn’t.” Rahima at 15

At every turn, the women of The Pearl that Broke its Shell consider their naseeb or destiny. Nadia Hashimi novel reminds the reader how difficult it is for someone to break out of a preselected gender role where power and control are asserted physically and an ingrained belief in fate can quash any measure of independence.

Nadia Hashimi’s life experience is about as far from that of her character’s as one could get. Born in the U.S., she wrote this, her first novel, while a pediatric emergency physician in Washington, DC. Hashimi tells the tortured story of life in Afghanistan through the voices of Shekiba, a young girl orphaned in the early 20th century, and Rahima, her great-great-granddaughter born about a century later.

The world of Afghan women is dictated by strict societal norms. Arranged marriage at a very young age to someone chosen by male elders; bearing and raising children (preferably male); cooking and maintaining the collective home along with sisters-in-law and, possibly, other wives; bowing to the will of her husband, mother-in-law, and any senior wives. The wives are dependent upon one another for assistance and companionship, sharing family stories among themselves and with their girl children. And they are their sole source of knowledge about marriage, childbearing, and childcare since they often marry at thirteen or even earlier.

Shekiba was the only daughter of the outcast son in a large family that lived off the land. Maimed after a cooking accident, her father protected and educated her. After all of her immediate family succumbs to cholera, she is grudgingly taken in by her uncles, and grandmother and their families, becoming the house servant. She is tall and strong, so when the opportunity arises to better the family position, she is given to the ruler as a guard for his large harem. When it’s discovered that a man has entered the harem, her life changes yet again. All seemingly well before the age of twenty. And her life was just beginning.

Rahima is the third of five daughters, hearing the family stories from her unmarried great-aunt. Her father is often gone, a warring clansman for the ruler of the local area. Much of his pay is in opium, making life for his family even more difficult. Too often families prohibit girls from attending school or leaving their homes out of concern for interaction with local boys. Some families with only girls engage in a “wink-wink” subterfuge, dressing a girl as a boy to enable her/him to be educated, to take care of tasks such as going to the market, and possibly doing odd jobs to augment the family’s earnings. Rahima becomes one of such girls, a bacha posh, the existence of such a status indicating its acceptance. But before she even reaches puberty, she and her two older sisters are given in marriage to the ruler and his brothers to enrich her father’s family.

In The Pearl that Broke its Shell, juxtaposing the lives of individuals a century apart reminds the reader that despite the strides taken to improve the lot of women in Afghanistan, the tribal culture remains repressive and often dangerous. By creating brave and vivid female characters, Hashimi raised the awareness of the plight of many Afghani women in a way that news articles rarely do. This was a wonderful discussion book for a group I led earlier this week.

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