Books – Page 13 – Finding My Wings

Unreliable narrators make for page turners

Regular readers know that most of my posts speak to the suitability of the book for group discussion. In the case of the three books here, The Widow, Gone Girl, and The Girl on the Train, the literary device seems the most interesting subject for conversation.

After the author, the second most important player in most books is the narrator. Often that key role is overlooked as s/he/it lays out the setting, describes the characters and moves the plot along. At the author’s discretion, the narrator may discern the inner thoughts of the characters or view the goings-on as if from above. When a novel is told in the first person that world is seen only through his or her eyes. At times, multiple characters are responsible for providing vastly different perspectives.

In the last few years a number of very popular novels have been written using an unreliable narrator or narrators. Each novel begins with a seemingly normal situation that quickly goes awry. If you are a film lover, the master of the genre was Alfred Hitchcock.

Two weeks ago the latest addition to the literary subgenre was published. Fiona Barton’s The Widow opens shortly after an accused child kidnapper was killed by a bus. Told from the perspectives of the widow, the mother of the missing child, the detective and a reporter, the story jumps forward from the death and back to the kidnapping and subsequent investigation. There is a measure of desperation in each of the narrators – the detective’s career was hard hit as the kidnapping remained unsolved, the mother’s capability, love and morality were questioned, the reporter is in search of that career-making scoop. The undercurrents of the widow’s life bring added tension to the story.

In Gillian Flynn’s Gone Girl a young wife goes missing on her fifth anniversary. Nick and Amy appear so happy. As the backstory unfolds, it becomes apparent 41Afp8YyB-L._SX303_BO1,204,203,200_ that life is not all it seems. With each chapter, questions quickly arise about Nick’s veracity. He isn’t telling the whole truth. Using Amy’s diary, her perspective on the marriage and her intentions are brought out bit by bit. At each turn, the reader wonders who, if anyone, is really being truthful and how far out of control the characters and story will spiral. Flynn set a new bar for dark stories of domestic life. Her writing is terrifyingly brilliant and I’m not sure I’d want to have her at my dinner table!

Last winter The Girl on the Train was touted as the successor to Gone Girl. Paula Hawkins main character is a woman whose life is out of control. Rachel travels 516YNFvZnrL._SX332_BO1,204,203,200_ on the same train daily, observing the changing patterns of those who live in the neighborhood along the tracks. When she sees a crime, she reports it. Drinking too much, out of a job, and hiding the truth of her situation from family and friends, Rachel’s credibility is immediately suspect. Connections to some of those under suspicion further call her judgment into question. Rachel, too, wonders at times if her memory is accurate. While she lies to others and to herself about her circumstances, Rachel is sincere in her interest in seeing the truth uncovered. In the next few months, The Girl on the Train will open in movie theaters. In the film version the story is moved from Britain to the US but little else is changed.

Given the publicity and popularity surrounding the release of each of these titles, expect to see more novels of this type in the months ahead.

To review or not to review – here’s how I decide

If all someone knew about my reading habits is my posts, they’d think I like all the books I read. Nothing could be farther from the truth. There are tens of thousands of books published each year and no one can read every book that may appeal. Reading time is very precious to me and I’d rather read more and write less, so I need to be selective.

What I will review:

Titles that beg to be discussed with a group, both fiction and nonfiction.
New titles from a favorite author.
Quirky books that defy easy classification.
Books about readers and bookstores, a particular weakness of mine.
About-to-be published titles that I’ve read (and enjoyed) before reviews have appeared.
Backlist titles that deserve another reading.
Any book that I am ready to share with a stranger, let alone a good friend.

(For a quick look, check out the BOOKS page.)

What I usually won’t write about:

Books I finished but didn’t particularly enjoy. I’ll share my opinion if you ask about a specific title but it may be my attitude, not the quality of the book. After all, who am I to bash a popular debut novel just because I found it pedestrian?
Most of the books I read to cleanse my palate. Often these are mysteries or thrillers that I do enjoy but don’t stick with me once I’ve closed the book.
Nonfiction where my underlying knowledge is limited.

So how do I find my books?

Long before major new titles hit the shelves, information begins appearing in trade newsletters and emails. There are many regular emails for readers as well, many of which offer the chance to win advance copies or to read a sample chapter online. For something different, I often read the book reviews and awards announcements from British or Canadian newspapers in addition to a number of US papers. Only a portion of well-received titles come across the borders. And wherever I am, I seek out independent bookstores and the professionals that work there. Each community has some of its own “hot reads” and often quality books by local authors. The local library and the library’s used bookstore also fill my plate. And I ask everyone I meet, “What are you reading?”

As a book group facilitator and blogger, I periodically receive upcoming titles that may be of interest. They arrive with no specific obligation on my part. Certainly, the publishers’ marketeers are thrilled to get an email or see a post that will put my small band of followers on the lookout for an upcoming book. And when a gem lands on my doorstep, I am happy to share the find.

Once published, it is difficult to judge a book entirely on its own merit. Often there have been newspaper/website/radio/blog reviews or ads. Your best friend/work colleague/book group buddy/significant other loved (or hated) it and can’t imagine you’d think otherwise. Word of mouth on the new “hot” book can spread far faster than the flu.

Often as not, an advance copy may just keep moving down my “to-be-read” pile, displaced as the time gets closer for a calendared book group selection or an author/topical favorite that appeared in the mail. Sometimes, it is just a matter of the right book at the right time. Recently, work with a new book group provided the perfect opportunity to finish and discuss My Brilliant Friend, the first of Elena Ferrante’s Neapolitan quartet.

So, my to-be-read pile continues to grow and with it books I may write about someday. But what is most important to me is that we continue to read and share books, over coffee, in a group or across continents via the web. In the beginning there were stories. And through stories we can better understand our world and imagine worlds beyond.

‘Year of Wonders’ – a timely story from a 350 year old reality

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Year of Wonders by Geraldine Brooks (Viking Press, 2001)
In 40 words or less: Based on Eyam, England which cut itself off from the world in the hope of saving its people from the plague.
Genre: Historical Fiction
Locale: England
Time: 1665
Read this book if individual stories bring you a new understanding of history.

Geraldine Brooks’ ‘Year of Wonders’ has long been one of my favorite novels. It is particularly appropriate that I am finishing this review after almost a week of hunkering down due to winter storm Jonas. Her debut novel, written in 2001, is based on the actual English village of Eyam which in 1665 chose total isolation from neighboring villages in the hope of mitigating bubonic plague. The outbreak was in the early days of the Protestant Reformation, a time of religious and social friction. Anna Firth was created by Brooks to tell the community’s story.

Anna is a still a teenager when her husband dies mining lead. Left with two small children, she works in the rectory for Reverend Mompellion and his wife, Elinor. To augment her wages, Anna takes in a tailor who has come to town. He becomes the first victim of the plague, likely infected from fleas in cloth he received. Fortunate to have been taught to read, Anna is hungry for knowledge and Elinor sees in her a kindred spirit. While Reverend Mompellion sees to the religious needs of many in the community, Elinor and Anna work together to keep the community fed and restore their health.

In a community barely subsisting, the toll of isolation and deprivation is high. Through Anna’s eyes the reader sees the best and the worst behaviors. Beyond the stark religious differences within the Protestants, there is a household of women herbalists and healers who some consider witches. These women are increasingly called upon to help those who have fallen ill from a variety of ailments. They, however, are often not treated with like kindness. The harshness of daily life and lengths people go to survive can be chilling.

Over the course of the year, Brook peels back the layers of life – birth and death, cruelty and kindness, love and hatred. It is astonishing how many aspects of the book ring true 350 years later. This is a book to read, re-read and share.

‘All Who Go Do Not Return’: One Man’s View of a Hidden World

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All Who Go Do Not Return by Shulem Deen (Graywolf Press, 2015)
In 40 words or less: A rare portrayal of a former Hasidic Jew’s departure from the community and loss of faith.
Genre: Memoir
Locale: New York
Time: Contemporary

The copyright page of Shulem Deen’s wrenching memoir has an unusual statement: “Disclaimer: This is a work of creative nonfiction. Many of the names, and some minor identifying details, have been changed to protect the privacy of individuals. All the people in the book are real and the events described actually took place. ….” It goes further delineating other changes he may have made, not substantially altering the narrative.

I can’t count the number of memoirs I’ve read over the last decade. With each book, I’ve wondered how the author has been able to recount so many instances of daily living. Certainly with celebrity memoirs there are questions about what liberties may have been taken to embellish or airbrush out situations. What makes this memoir so different?

Shulem Deen is a writer and former Skverer Hasid. Most Skverer Hasidim are members from birth, with a large and extensive network of family members. Deen is the child of parents who chose an ultra-Orthodox life as adults, and not as Skverers. His father further distinguished himself by his teaching and associations outside the Hasidic world. This far from conventional upbringing set him apart from the community from the beginning. Glimpses he gives into his childhood suggest Deen was never one to easily acquiesce to communal rules, a personality trait that foreshadows his inevitable banishment from the Hasidic community and enforced estrangement from his family.

In the last five years there have been a number of memoirs, fictionalized accounts and outsider portraits of Hasidic life from the perspective of women who have left their communities for differing reasons. All Who Go Do Not Return is the first book to draw back the curtain on the details of the day in-day out influence of the Rebbe and his inner circle on the lives of all within the community. From the selection of potential spouses, enforcement of laws of family purity, decisions on who will pursue additional study and who must secure approved employment beyond the hall of study- it’s all there.

The intimate details of the creation of a family and its eventual dissolution are the most uncomfortable to read. The shidduch, match, results in total strangers starting up a household with virtually no knowledge of what a marriage entails – physically, emotionally, practically or financially. In the case of Deen and his wife, without an extensive family network or well-connected elders, their marriage started off at an even greater disadvantage. Even with the most supportive family, a select cadre of the Rebbe’s trusted provided guidance and made recommendations on everything from consummation of the marriage to how and when to pursue additional employment.

As the Deen family grew from one child to, eventually, five, the economic pressures to support the family on their own grew. To meet the demands, Deen became a tutor to young yeshiva students, allegedly on secular topics. He contends this was really just a front and that the governmentally funded sessions were dedicated to augmenting the boys study of Torah. This is consistent with the conditions currently under investigation in a number of New York yeshivot where it is alleged that the studies do not meet minimum standards for English, math and other secular subjects.

Eventually, the family’s financial needs required Deen seek employment outside the community. By this time he had begun to engage in forbidden practices: listening to the radio, discovering the Internet and very tame movies using a VCR and television. While he initially kept these practices hidden from his wife, she soon became suspicious and he shared the discoveries with her. These experiences made him more employable but only if he altered the distinctive wardrobe worn by the Skverers.

At the beginning of his exploration of the secular world Deen responds with curiosity and wonder at what he is experiencing. Over time he increasingly questions the legitimacy of the Skverer leadership and norms and his personal spirituality and faith. More and more he separates himself from communal prayer and activities. Not only does this place him under suspicion but it endangers the position of the rest of his family within the community. Ultimately he is forced to leave the community and expelled from all contact with the community’s members.

This book is a fascinating portrait of one man’s journey of self-discovery. In losing his faith he also lost his family. At times it is painful to read the details of the Deen family life. It is tragic when a loving parent is separated from his or her children. It’s small comfort to consider how unlikely it is that his wife or children will ever read the book. After all, such worldly reading is forbidden.

In some books, you can’t tell the players without a scorecard!

While the phrasing may have originated at the ballpark, letting the reader know who’s who has been common, particularly among plays, for over 300 years. Several times this week readers have mentioned how important this information has been to their understanding and enjoyment of a variety of books. For many, the first introduction to an annotated character list comes with Shakespeare. How else can you keep the Capulets and Montagues straight? Plays are almost completely dependent on dialogue to convey every detail of the story. Without the most basic of character information (i.e. Blanche DuBois is Stella’s sister) the laser-sharp precision of many plays would be completely lost and it would require hours to convey the story. The platform you choose for reading may also make a big difference in how well you can track a complicated array of characters.

More and more character lists and/or family trees are critical in delivering the author’s message. Why is this?

Foreign language/foreign names – a classic example is War and Peace. For those not facile with Russian first names, the familial structure of last names, and common nicknames, successfully navigating this massive novel would be almost impossible. The first page introduces no less than ten characters, many with multiple lengthy names. The explosion of literature in translation as well as internationally themed books in English often require the reader to remember unfamiliar names and sometimes figure out the gender of characters without the linguistic clues that names sometimes provide. Particularly with epics, having a notebook handy can really make the book more enjoyable.
Complex relationships – many historical novels are centered around or refer to royal families, political dynasties or closed communities. Since the author used this information as the underpinnings of the story, having the family tree or list of members and relationships fills in critical material. Hild, Nicola Griffith’s novel about a real seventh century girl, would be overwhelming without the family tree. More than 50 years ago, Allen Drury provided annotated listings of his many characters in his Washington-based novels of political intrigue. Nonfiction titles about military units or campaigns often use listings to define the authority structures.

It turns out that how one reads books with this level of complexity really does matter. When a listing is included, reading a physical book makes referring back much easier. It is a bit harder with an e-book but a reader with annotation skills can build linkages without having a pad nearby. Those that enjoy audiobooks can find these titles frustrating because of the difficulty in keeping track of the characters and complex story lines. While it may require adjusting your preferred reading pattern going back to the basics may make the experience more pleasurable.

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