Books – Page 10 – Finding My Wings

‘The Woman in Cabin 10’ is another summer thriller

IN A NUTSHELL

The Woman in Cabin 10 by Ruth Ware (Scout Press 2016)
In 40 words or less: A journalist lands the assignment to report on an ultra-luxury cruise ship. A break-in at her home before departure makes her wary and vulnerable. When she sees evidence of a crime on the ship her veracity is questioned and her safety endangered.
Genre: Thriller
Locale: London, North Sea, Norway
Time: Now
Read this if you are a fan of The Girl on the Train or Gone Girl.

There’s something about summertime. It seems wherever you turn there is another psychological thriller vying for your attention. Granted, they are often the perfect length for a long flight or some time at the pool, preferably with a dip or a nap or two thrown in.

British women writers have taken the US by storm with female protagonists who may not be completely believable. The latest entry, The Woman in Cabin 10, starts with a heart-stopping scene. Lo Blacklock, the narrator, awakens in the middle of the night to find a masked intruder in her apartment. In confronting him she is wounded and to save herself ends up locked in a room without any way to exit and with no way to communicate. After smashing her way out, she is physically and emotionally battered. Even while trying to work with the police, secure her apartment and replace her stolen phone and credit cards, she and her boyfriend have an argument. And then there’s a magazine assignment on an ultra-luxury cruise just one day away.

Ruth Ware sets up a classic locked room mystery on the North Sea. The 10 cabin, ultra-luxury ship is on its maiden cruise to drum up publicity and major investors. The ship is a project of a British businessman and his ailing heiress wife and, aside from Lo, the other passengers are major photographers, writers or venture capital advisors. On the first night out, Lo returns to her cabin having had little sleep since her attack and too much to drink. She wakes up to some commotion in the adjacent cabin and thinks she sees a body go overboard and blood on a glass panel. The cabin was allegedly empty and no one seems to be missing from the passengers or crew.

Lo is desperate to uncover the truth. Ruth Ware has done a masterful job of balancing Lo’s occasional self-doubt with her resolve. The novel has numerous twists and turns, all in the very confined quarters of a small ship at sea. Lo is uncertain of the trustworthiness of her fellow passengers, including a photographer, Ben, she had a relationship with several years earlier.

Interspersed in the on-ship narrative are occasional web articles, forum strings, and emails questioning Lo’s possible disappearance since her family, boyfriend, and co-workers have heard nothing from her despite the ship’s high-tech capabilities. These serve to emphasize how alone Lo is on this cruise.

The Woman in Cabin 10 is a fast-paced grabber of a book. Despite the early attack, Lo fights off a victim mentality and pushes back at every attempt to minimize her contentions. Earlier in her life, Lo suffered panic attacks. When Ben suggests to others that an interaction of her medications and alcohol may have caused her to imagine the body, Lo loses trust in the one person she thought was on her side. The challenge of dealing with anxiety is part of Lo’s story. In its telling, it enhances the acceleration of the plot.

If you enjoyed The Girl on the Train, Gone Girl or Widow, Ruth Ware’s latest might be just the book to take away with you.

Irène Némirovsky’s Look at Life Between the Wars

IN A NUTSHELL

The Fires of Autumn by Irène Némirovsky, translated by Sandra Smith (Vintage International, 2015)
In 40 words or less: Through the lives of three interconnected families, the many changes to France’s working- and middle-class from WWI to the early days of WWII are shown. Némirovsky’s keen eye for the import of social status carries the story.
Genre: Historical Fiction
Locale: Primarily Paris
Time: 1912-1941
Read this for a character-driven tour of the vast changes in daily life over the quarter-century between WWI and WWII.

Irène Némirovsky came to fame in the US more than 60 years after her death in Auschwitz in 1942. Russian and Jewish by birth in 1903, she fled to France after the Revolution and saw herself as French, though never accorded citizenship. Némirovsky converted to Catholicism in 1939. She received acclaim for her novels during her life though some were criticized as anti-Semitic. While three novels were published posthumously in France after the war, the discovery of the manuscript of Suite Française by her daughter in the late 1990’s led to the publication of it, and many of her other works, both in French and in translation.

The Fires of Autumn, written as World War II loomed, is reflective of the many changes in the early decades of the 20th century. Three families, the Jacquelains, the Bruns, and the Humberts, all have children whose choices are altered by the advent of WWI. Rather than opening his medical office, Martial enlists as a military doctor on the front. This “heroic” choice leads to an unexpected engagement with Thérèse. And Bernard, the scion of the Jacquelain family, destined for the university, enlists as soon as he is of age, shortly after Martial’s death.

Bernard returns jaded from the war, disinterested in his family’s aspirations or concerns for him. Quickly caught up in the hedonism emblematic of the 1920s, he connects with wheeler-dealer new style businessman changing the course of his life. He marries Thérèse and through their relationship and the interaction with their families and childhood friends, the fracturing of many societal norms are seen.

Having found Suite Française overwhelming, I was hesitant about reading The Fires of Autumn. I couldn’t have been more wrong. Némirovsky tells a good story and her characters are well-formed. The strength of The Fires of Autumn is the timing of the telling of the story. As seen in her life choices, Némirovsky knows all too well that politics can alter fortunes in mere moments and that choosing sides can exact a heavy price. While at times the dramatics of Némirovsky’s life receive more attention than her writings, The Fires of Autumn is a good reason for her inclusion among noteworthy writers of pre-WWII France.

‘TRIBE: On Homecoming and Belonging’

IN A NUTSHELL

TRIBE by Sebastian Junger (Twelve, Hachette Book Group, 2016)
In 40 words or less: An outgrowth of a June 2015 article on soldiers’ PTSD long after leaving the battlefield, Junger posits what is it about modern society that has created this problem. Using recognized research and his observations, Junger provides food for thought.
Genre: Nonfiction/Anthropology
Time: 300 plus years of communities
Read this for an interesting take on the how individualism and independence may leave our society vulnerable to depression, PTSD and other problems.

Sebastian Junger is a familiar name to many for his book The Perfect Storm about the New England fisherman caught as three weather fronts came together in 1991. His writing is fiercely analytical, bringing together the individual, societal and (in that case) climatological factors that marked that tragedy.

Junger spent time embedded with troops in Afghanistan. As a journalist, filmmaker, and long form author, he was struck by the strong bonding of military units regardless of the ethnic, racial, intellectual and social differences that might divide in other environments. Junger saw wounded soldiers desperate to return to their units rather than to be sent home. Many of the same strong and courageous individuals had severe and long-lasting difficulties reintegrating upon returning home. TRIBE is his effort to understand why.

This brief book, less than 140 pages, refers to dozens of psychological, sociological and anthropological studies, business and newspaper articles on the evolution of tribal and group behavior. The primary exemplars are tribes, going back to ancient times through early America, who’s communities were completely interdependent with well-defined communal roles. His contention is the superiority of this model is reinforced by the resistance of captured American settlers to return to their communities, often fleeing to return to those who had been their captors.

Junger asserts that that interdependence is seen in military units and that the loss of it causes/exacerbates reintegration difficulties. On the civilian side, he suggests that this lack of fundamental purposefulness contributes to some instances of depression, abuse of medical insurance and other behaviors. As evidence, he shares data that suggests catastrophes such as 9/11 resulted in reductions in suicide and symptoms of depression. Rather than turning inward, people reached out to help others both selflessly and to fulfill a need to contribute to making society whole. In my opinion, his assessment might also be worth looking at in terms of gang members and those who have been incarcerated.

This is not an academic treatise nor does he proport to be a scholar. Having said that, I’d recommend it to those who study societal dynamics, social workers, and particularly those involved in the serious problem of appropriately training our military and reintegrating them into civilian service. Even if he isn’t spot on, his work provides a starting point for discussion.

Family business, family drama – a holiday weekend two-fer

IN A NUTSHELL A HOLIDAY WEEKEND TWO-FER

As Close to Us as Breathing by Elizabeth Poliner (Lee Boudreaux Books, 2016)
In 40 words or less: Three sisters and their families traverse personal and societal minefields in post-WWII Connecticut. The family beach cottage holds their happiest memories but is also the site of a life-changing tragedy.
Genre: Fiction
Locale: Connecticut
Time: 1948 – 2000, with flashbacks
Read this for a complex family story that brings in the complexities of a changing society.

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The Two-Family House by Lynda Cohen Loigman (St. Martin’s Press, 2016)
In 40 words or less: The business and personal lives of two very different brothers and their families are intricately woven together. Loigman’s family drama lays out the corrosive nature of family secrets and the price to be paid by all.
Genre: Fiction
Locale: New York
Time: 1947 – 1970
Read this for a family story that reinforces the old adage “be careful what you wish for!”

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Elizabeth Poliner’s and Lynda Cohen Loigman’s novels feature families that are close emotionally, physically and economically. Both books have as the historical setting the years following World War II. It’s no coincidence. It was a period of great transition with those family-owned businesses that survived the Depression and the war flourishing. Ethnic and religious prejudices are lessening a bit, although there remains the expectation that people will ultimately “stay with their own kind.” With new prosperity, families are leaving apartments in the city for new homes in the suburbs.

In As Close to Us as Breathing, three sisters spend their summer in their family cottage in a small shoreline Jewish enclave nicknamed Bagel Beach, as they did during their own childhoods. The telling of the story is shared by 12-year-old Molly, the middle child of the eldest sister, Ada, and an omniscient narrator. The novel begins with the announcement that Davy, Molly’s 8-year-old brother, will die that summer in an accident.

During the work week, the three sisters – Ada, Vivie and Bec- share close quarters with Ada’s three children – 18-year-old Howard, Molly and Davy – and Vivie’s daughter Nina. Friday afternoon Howard, Ada’s husband, and Vivie’s husband Leo, would drive out to spend the Sabbath with their families. Howard’s brother, Nelson, was left in Middletown to mind Leibritsky’s Department Store, the business built by the sisters’ parents. Each person plays a distinctive role within the family.

As within every family, there are grudges held and sacrifices made. Poliner shares their secrets carefully, only to further the story. In ways small and large, characters chafe against societal expectations. The importance of respect within the family is seen in how these choices are hidden from those closest to them.

As Close to Us as Breathing is a wonderful period piece and family novel. Poliner takes extraordinary care to describe the details that paint the picture of their lives. While accidents like the one that claims Davy’s life are fortunately rare, the complex relationships that affect the family’s reactions ring true. Key to the success of the storytelling is the pacing which naturally follows the story itself. This novel has an excellent balance between character and plot and is worthy of inclusion in your summer reading.

While the catalyzing incident in Poliner’s book occurs in the summer, a winter storm sets into motion all that follows in Lynda Cohen Loigman’s The Two-Family House. Abe and Mort are brothers who own a cardboard box company in New York. Together they also own a two-family brownstone where Abe lives upstairs with his wife Helen and their four sons. Downstairs are Mort, his wife Rose, and their three daughters. While the brothers couldn’t be more different in temperament, Rose and Helen are the glue that keeps everything going.

As Helen and Abe celebrate their eldest son becoming bar mitzvah, Helen sees her sons needing less and less of her and wishes she had a daughter with whom to share experiences. At the same time, it is clear Mort regrets not having a son to become bar mitzvah and does not really understand daughters. When both Rose and Helen find themselves pregnant once again, they hope that the missing piece for each family will be found.

Several weeks before the babies are due, both Mort and Abe must go to Philadelphia overnight for a business meeting that may determine the future of their company. A blizzard blows in and both women go into labor. Fortunately, a midwife is nearby and can attend to the births. When the men return, each is surprised and delighted to meet their children – a daughter for Abe, a son for Mort. From that day forward both family’s lives are changed forever.

At what should be a time of great joy, tensions within and between the families grow. Judith, Mort and Rose’s eldest daughter, seems to bear the brunt of it. Judith is a wonderful writer, acknowledged by awards from school, but her father dismisses her accomplishments and creates barriers for her. As her mother also becomes more distant, she seeks out her aunt for advice and comfort, further increasing the mother-daughter rift.

From the beginning, Natalie and Teddy, the babies, were raised together. As they grew, they insisted upon it, even having dinners in each others’ homes on a regular schedule. And the curiosity and innocence of the young uncovered long-held secrets. As a duo, they managed to soften the hard edges that their parents’ had developed.

As the years pass, the family business thrives though the family relationships are not as lucky. Eventually, both families leave the brownstone for the suburbs, lessening the day-to-day tensions between Helen and Rose but at the cost of increased isolation for all. A horrific accident further fractures the family rather than drawing it together. Bit by bit, some of the secrets are revealed.

People are fascinated by the possibility of children being switched at birth. Loigman has used this fascination to good effect by including the reader in from the very beginning. The characters make choices in revealing some of the secrets. In doing so it is emphasized that there can be healing or hurt in the telling.

Unlike in Poliner’s novel, only a limited number of the characters are fully drawn. Loigman’s focus hones in on the effect of the secrets on each. What we see in The Two-Family House are two families entwined by business loyalty, nurtured through marriages, and almost destroyed for not leaving well enough alone. Loigman seems to hold a soft spot in her heart even for some of her more imperfect characters. Choosing to end the novel decades after its start allows time and societal change to bring about some healing that the relationships between family members couldn’t.

What’s on your way back list?

As a child, one of the rituals of summer was heading to The Book Rack, the paperback bookstore at the corner of North Avenue and Eastchester Road, in New Rochelle. It was there, and at the library, that I spread my reading wings.

I’d have a budget of about $5 to spend on books to bring with me to “sleepaway” camp. In the mid to late 1960’s new paperbacks each cost 75 cents to $1.25 so careful decisions were required.

Seeing the children (and grandchildren) of friends leaving their phones and tablets behind as they board buses and planes to camp, I started thinking about those summer books that have stayed with me decades later. Here a few from my way back list.

I was very lucky. My mother encouraged me to choose books that I found intriguing, not necessarily those marketed as appropriate for what we now call tweens or young teens. An early choice was A Tree Grows in Brooklyn, Betty Smith’s classic coming-of-age story of an Irish immigrant family at the turn of the 20^th century.

And there is nothing like reading mystery and horror stories by flashlight to scare you witless. I clearly recall reading Ira Levin’s Rosemary’s Baby when it appeared in paperback. It is about this time I was introduced to Agatha Christie and I picked up Henry Miller’s The Turn of the Screw.

As a ravenous reader, my vocabulary outpaced my maturity at times. For example, I was probably 13 when I read Ann Fairbairn’s Five Smooth Stones, a groundbreaking novel in 1966 about the civil rights movement and an interracial love affair. Reading the newspaper morning and evening was a part of my life. There were local connections to Michael Schwerner, James Chaney, and Andrew Goodman, murdered in Mississippi in June 1964, and that further heightened my interest in civil rights.

The last title I remember to this day is Daphne DuMaurier’s Rebecca. Tens of millions of readers have been swept away by this romantic, exotic and frightening novel.

Truth be told, if I were to pack a tote with these books, leave my electronics behind and find a comfy reading spot, I’d probably be a happy camper once again.

While some have you may have avoided reading anything beyond comic books over the summer, I suspect that as many caught the reading bug. So, what titles are engraved in your memories of summer? Do tell!

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