Reading local, Cape Cod style

  • UnknownThe Widow’s War by Sally Gunning (William Morrow, 2007)
  • In 40 words or less: Lyddie Berry, widowed after a whaling mishap, asserts her rights to one-third of her husband’s estate. Though legal, this decision has harsh consequences within her family and community. Gunning provides a detailed portrayal of the difficult life in mid-eighteenth century Cape Cod.
  • Genre: Historical fiction
  • Locale: Satucket, MA
  • Time: 1760s
  • Read this to see the hardships of life in colonial America and the tremendous strictures of the society.IMG_4340

On my recent vacation to Cape Cod and the Berkshires, I visited Eight Cousins bookshop in Falmouth. As is my custom, I asked the bookseller for suggestions on a fiction title by a local author with a local feel. Her recommendation of The Widow’s War was right on target. Sally Gunning’s love for the Cape and its history comes through from page one. What differs in this novel from many others is the focus on the legally subservient role of women in the colonies and the prejudice against Indians living among the settlers.

Lyddie Berry is a strong woman who has run a household for months at a time while her husband, Edward, was at sea. Theirs was a loving relationship despite the strains of multiple miscarriages and the deaths of all but one of their children in infancy. Mehitable, their daughter, recently married a respected widower in the community and was establishing her own household.

When whales are spotted in the bay, the ships leave in a flurry and all the men return safely except for Edward. Their neighbor and friend, Sam Cowett, an Indian, makes every effort to save him but is unsuccessful. Now the Widow Berry, Lyddie is forced to recast her life.

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Edward’s will provided for Lyddie as best possible at that time. The home and all properties go to the nearest male relative, Mehitable’s husband Mr. Clarke, with Lyddie to be given life tenancy to a third of the home plus support to come from the proceeds of the legacy. Edward’s solicitor, Mr. Freeman was a fierce advocate for Lyddie’s rights which Mr. Clarke sought to subvert. To support herself, Lyddie  nursed Sam Cowett’s ailing wife and served as his housekeeper for a period after her death. As an Indian, Sam was an outsider in the community and her alignment with him damages Lyddie’s reputation. Day to day survival overtakes her observance of the Sabbath which further estranges her.

The strengths of this novel are the detailed descriptions of daily life and the societal hierarchy within the community. Using the conflicts within the Berry/Clarke family as the background, the roles of wives, mothers and widows are clear.  Gunning carefully portrays the shrinking of the Indian presence in the local area as the consequence of selling land for supplies. Sam Cowett remained the lone reminder of the Indian landholders and his friendship/partnership with Edward Berry a thorn in the side of the community.

Whether your interest is in colonial America, whaling in Cape Cod, feminism in early America or just a good story, The Widow’s War holds its own.

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‘Bertrand Court’ reveals the extraordinary in everyday life

  • UnknownBertrand Court by Michelle Brafman (Prospect Park Books, September 2016)
  • In 40 words or less: Seventeen stories connected through a cul-de-sac in the Washington area show that familial ties can bind or chafe, lovers connections can linger, and everyone has fragile moments. Brafman has a wonderful grasp of the inner voices of her characters.
  • Genre: Fiction, short stories
  • Locale: Washington DC area
  • Time: 1970 – 2000s
  • Read this for well-crafted stories of the extraordinary elements of everyday life. Perfect to savor in small bites.

One of the most difficult things an author can do is make the commonplace events of daily life compelling.  In Michelle Brafman’s new collection, Bertrand Court, families and friends, colleagues and lovers reveal and conceal themselves in the Washington suburbs. Although some of the people in these stories have careers that are very Washington, the underlying circumstances and insecurities of their personal lives are much more universal.

Brafman tackles the long-simmering jealousies between aging sisters, and couples trying to hide their financial reversals from family and friends. There are those blessed with children and others not as fortunate. Some find a spiritual home in organized religion and one woman wishes for that to fill a hole that her family’s wealth could not satisfy. Husbands question their wives’ choices and vice versa and the children must be shielded, regardless.

While most of the stories need not be connected, it is the periodic convergence of friends and families in Bertrand Court that brings the collection together. Whether it is a birthday party or a (non) book group night, the connection is what counts. No matter how perfect anyone’s life may seem, the stories serve as a reminder that the human condition is fragile and that it’s not the errors or self-doubt that define someone but rather what happens next.

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Erik Larson brings history to life

  • Unknown-1Dead Wake by Erik Larson (Crown Publishing Group, 2015)
  • In 40 words or less: Larson paints a bold picture of the events that led up to the sinking of the Lusitania, a catalyzing event to the US eventually entering WWI. Politics, culture, seamanship and warfare all have their place in this compelling narrative.
  • Genre: Narrative nonfiction
  • Locale: US, Great Britain, Germany, Ireland, Atlantic Ocean
  • Time: 1915
  • Read this for an understanding of the US and its place in the world in 1915 told in a captivating way.

Erik Larson occupies a rare place among those writing histories. His books bring the era, events and people to life with a 360-degree view. Like a classically structured Shakespearian play, there is a progression in five acts. In the first, Larson introduces the players in this drama. They include a bereaved President Wilson, the young Winston Churchill, world-class shipbuilders and seamen, newlyweds, seasoned travellers, a woman architect, bankers, booksellers and more. Through his research, Larson has brought together rich gleanings from journals, letters and other archival material as well as the scholarship of others.

By Part II, the story shifts between the Lusitania, the U-boat seeking to destroy it, and the British intelligence office tracking the movements of this dance. As the Lusitania moves towards England the passengers are certain that the British Navy will ensure their safety, unaware that there are political forces interested in using the Lusitania as a pawn to draw the US into the war. At home, President Wilson is coming out of a deep Depression, largely due to Edith Galt entering his life. Much of America wants nothing to do with the war in Europe and sees no role for the US in the conflict.

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As in Shakespeare, Part III is the heat of the action and Larson takes the reader inside the U-boat, on the ship and in the war rooms on the day the Lusitania is torpedoed. As he has earlier, Larson includes text of telegrams and logs chronicling the action.

Part IV details the actual impact and the resulting effects. Human stories of those on the Lusitania and those on land who strove to save them. Well-acquainted with many of the passengers and crew, the descriptions of chaos and heroism are compelling.

Part V and the Epilogue deal with the aftermath – those who are blamed and those who actually are responsible.

It is a measure of his talent that many dedicated readers of fiction find Larson’s storytelling more vivid than many favorite novels. Ideal for book discussions, the richness of the cultural landscape he describes is as worthy of conversation as the political and nautical events that are the centerpiece of the book. If you choose this as your first Larson title, I predict it won’t be your last.

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Three summer short takes

I’ve been savoring my reading time this summer. With all my book groups on hiatus until September, it feels like an “all you can read buffet.” Since reading isn’t all I do, please accept this group of “In A Nutshell” assessments, with a few extra words thrown in. Some full-length reviews are coming soon!

  • Unknown-8The Book That Matters Most by Ann Hood (W. W. Norton & Co, August 2016) (Advance copy)
  • In 40+ words or less: After the end of her marriage, Ava is encouraged to join a book group of disparate members. Monthly, one member leads the discussion on his/her most meaningful book. As Ava tries to restart her life, her daughter Maggie is in Paris engaging in destructive behavior, deceiving her family in the process.  Hood’s novel focuses on the importance of family, friendship, and love in creating a meaningful life.
  • Genre: Fiction
  • Locale: Providence and Paris
  • Time: Now
  • Read this for a novel about the resilience of the parent/child relationship, even when all seems lost.  The book club and the choice of discussion titles are key to Ava’s re-emergence and provide a vital plot twist.
  • Unknown-1A Window Opens by Elisabeth Egan (Simon & Schuster, 2015)
  • In 40+ words or less: When her husband must make a career change, Alice steps up moving to an edgy book-related start-up. Exhilarating at first, Alice discovers it’s not as advertised and far from family-friendly. Everyone – her husband, children, and parents – need her so something’s got to give.
  • Genre: Fiction
  • Locale: New York metro area
  • Time: Now
  • Pick this up for a modern family story with some great bookish quirks.
  • Unknown-2Me Before You by Jojo Moyes (Penguin, 2013)
  • In 40+ words or less: A young woman, desperate for a job, becomes the personal companion for a high-flying young businessman profoundly injured in an accident. Opposites in temperament, interests, and world views, they transform each others’ lives.
  • Genre: Fiction
  • Locale: Great Britain
  • Time: Now
  • There’s a reason so many people have read it. May not stand the test of time but well worth an evening or two. A better choice than the movie. Jojo Moyes tells a good story.
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Coming to a small screen near you – Part 3 ‘The Boys in the Boat’

Earlier today I saw a news article announcing that PBS’s American Experience will premiere a one-hour documentary, The Boys of ’36, inspired by Daniel James Brown’s history The Boys in the Boat on August 2 at 9 ET. Before the Olympics were professional games, before performance enhancing drugs and huge endorsement deals, the Olympics often involved both politics and pride. This show should be “must see TV” so mark it on your calendar and set the DVR. For more information click here.

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  • Unknown-2The Boys in the Boat by Daniel James Brown, (Viking, 2013)
  • In 40 words or less: Traces the University of Washington rowers who captured 1936 Olympic gold despite personal and financial hardships, and East Coast bias. Plan to be schooled in team-building, boat-building, the history of the Depression and the rise of Nazi Germany.
  • Genre: History
  • Locale: US (primarily Washington) and Germany
  • Time: 1930s
  • Read this! The narrative is gripping, the language is lyrical and the individual stories grab you.  You will be sorry if you don’t.

The glory of the Olympics has been tarnished in recent years, but the stories of individual and team athletic achievements remain compelling. The U.S. hero of the 1936 Olympics was Jesse Owens. The target of prejudice and singled out beforehand as a target, he beat the best track stars the Third Reich had to offer.

Virtually lost in history (except in Washington), was the extraordinary saga of the University of Washington’s 8 man rowing team. In the middle of the Depression, these sons of loggers and farmers, many of whom had never rowed before, joined the team as a means of pursuing their education.

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Since the publication of Daniel James Brown’s book three years ago, the attention on the story of these rowers and the difficulty of their achievement at that time in American history has come to widespread public attention. Until that time, rowing was dominated by the East Coast Ivy League teams, generally made up of the well-to-do. The West Coast, and more particularly, Washington, was deemed a backwater, of little concern to the Eastern Establishment in more than just sports. Brown lays out the extreme difficulty of life during the Depression in the Pacific Northwest.

In following their path to Berlin, which included a train ride through the Dust Bowl, the reader is caught up in multiple elements of U.S. history of that period. As vital to the story is Germany’s plan to use the Olympics to further its political ends. The extensive motion picture propaganda campaign developed for the Olympics was the first of its kind. It is all laid out in the book.

Brown’s presentation will capture even the most reluctant reader of nonfiction. I can’t imagine what it is, but some of the very best narrative nonfiction writing of the last decade has come from the Seattle area, courtesy of Daniel James Brown and Erik Larson (In the Garden of Beasts and Dead Wake). And for those who’d like to share this incredible story with a younger or reluctant reader, this is an adapted version with abridged language and more manageable length (250 pages versus 400).

Many of you have likely read The Boys in the Boat and shared it with friends, family, and other readers. With the Olympics beginning in a just a few weeks, this is the perfect time to bring this great story to those who may have missed it.

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