Book Discussions – Page 4 – Finding My Wings

‘Year of Wonders’ – a timely story from a 350 year old reality

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Year of Wonders by Geraldine Brooks (Viking Press, 2001)
In 40 words or less: Based on Eyam, England which cut itself off from the world in the hope of saving its people from the plague.
Genre: Historical Fiction
Locale: England
Time: 1665
Read this book if individual stories bring you a new understanding of history.

Geraldine Brooks’ ‘Year of Wonders’ has long been one of my favorite novels. It is particularly appropriate that I am finishing this review after almost a week of hunkering down due to winter storm Jonas. Her debut novel, written in 2001, is based on the actual English village of Eyam which in 1665 chose total isolation from neighboring villages in the hope of mitigating bubonic plague. The outbreak was in the early days of the Protestant Reformation, a time of religious and social friction. Anna Firth was created by Brooks to tell the community’s story.

Anna is a still a teenager when her husband dies mining lead. Left with two small children, she works in the rectory for Reverend Mompellion and his wife, Elinor. To augment her wages, Anna takes in a tailor who has come to town. He becomes the first victim of the plague, likely infected from fleas in cloth he received. Fortunate to have been taught to read, Anna is hungry for knowledge and Elinor sees in her a kindred spirit. While Reverend Mompellion sees to the religious needs of many in the community, Elinor and Anna work together to keep the community fed and restore their health.

In a community barely subsisting, the toll of isolation and deprivation is high. Through Anna’s eyes the reader sees the best and the worst behaviors. Beyond the stark religious differences within the Protestants, there is a household of women herbalists and healers who some consider witches. These women are increasingly called upon to help those who have fallen ill from a variety of ailments. They, however, are often not treated with like kindness. The harshness of daily life and lengths people go to survive can be chilling.

Over the course of the year, Brook peels back the layers of life – birth and death, cruelty and kindness, love and hatred. It is astonishing how many aspects of the book ring true 350 years later. This is a book to read, re-read and share.

Americanah: An oh, so contemporary novel

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Americanah by Chimamanda Ngozi Adichie (Alfred A. Knopf, 2013)
In 40 words or less: A story that gives life to the personal struggles two young people in contemporary Nigeria, America and Britain. Through their eyes issues of immigration, racism and multiculturalism are brought forward. Long but well worth the effort!
Genre: Literary Fiction
Locale: Nigeria, United States, Great Britain
Time: Contemporary
Read this for a meaty story of generations adapting to change and confronting change delayed.

Chimamanda Ngozi Adichie is deservedly a darling of current literary circles. Each of her novels has won numerous awards and her recent book length essay, We Should All be Feminists, which started as a TEDx talk, is considered a seminal work (pun intended) on the topic. Her novel Half of a Yellow Sun, brings to life the devastating Biafran conflict that tore apart Nigeria in the late 1960s.

In Americanah, Adichie introduces Ifemelu and Obinze, bright, loving young Nigerians who must leave their homeland to seek opportunity abroad. While college students, Nigeria is ruled by the military and universities are often closed due to strikes and other disruptions and prospects for success afterwards are few. America post-9/11 is particularly unfriendly to young men from Africa so, despite his love for all things American, Obinze ends up in England. Ifemelu secures a partial graduate school scholarship and joins family in Brooklyn. Soon on her own in Philadelphia, she struggles – making ends meet, understanding American-English and norms, and confronting racism for the first time. Her connection to Obinze is her beacon. At her lowest moment, she cuts off communication, though never relinquishing the connection.

Ifemelu had a keen eye for cultural and political nuances of being an African woman versus an African-American woman in America. Arriving in the US a couple of years before the election of President Obama, her experience is imbued with the changes his candidacy and election brings. Throughout her time in several cities on the east coast, her warmth and wit bring her friends and rich relationships. Initially as a lark, she turns a blog into a forum for discussions on race, politics and people. Eventually leaving school behind, Ifemelu becomes a full-time blogger. After several years she makes the choice to return home.

Obinze’s acclimation to England is more difficult. Without family as a touchpoint and school as a focus, he scrambles to find work without a visa and gets drawn into the British equivalent of the green card marriage scam. Throughout he remains in love with Ifemelu and can’t understand the silence. Forced to return to Nigeria, there he achieves all the outward symbols of a very successful life.

There is a very contemporary feel to this novel. The characters are working to launch their lives in very uncertain times. Without the internet, they’d be unable to maintain and fracture connections. Politics has a role but is not all-pervasive. Religion is only mentioned in passing. This measured attention allows day-to-day life to shine through.

This is a long book, at 588 pages almost twice the length the book groups I work with typically choose. Chimamanda Ngozi Adichie not only tells a story but informs the reader as well. Her characters are smart and expressive. Her descriptions of places and situations are vivid, almost as if a movie camera is panning the scene. The novel deals with immigration, multiculturalism, racism and the haves and have-nots. The view of daily life in Nigeria before and after her time in the US is so detailed that you can feel the heat and smell the food. And throughout there is the universal draw of family, both by birth and by choice. Consider the time required to absorb this novel an investment well made.

‘The Muralist’: Historical Fiction and Art Appreciation in One Package

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The Muralist by B.A. Shapiro (Algonquin Books, November 2015)
In 40 words or less: At the cusp of WWII, a young French-American artist pursues her art as her family tries to escape Europe. Seventy-five years later, her great-niece works to solve the mystery of her disappearance and secure her place in the art world.
Genre: Historical Fiction
Locale: New York and France
Time: 1939/40 and 2015
Read this for a gripping story filled with insights into the world of art and the machinations of the US government as the Jews of France sought to escape Nazi Europe.

RELEASE DATE – Tuesday, November 3. The Muralist, B.A. Shapiro’s second novel, brings together a young French-American artist with the luminaries of the fledgling Abstract Expressionist movement. In 1939, when the story begins, many soon-to-be-famous artists were working for the US government as part of the WPA project which commissioned realistic paintings and murals depicting life during the Depression. Alizée Benoit was born in America, leaving to live with relatives in France after the death of her parents when she was twelve. Seven years later she returns to advance her art career, aware that the situation in France for her Jewish family is becoming perilous. Her goal is to find a way to bring them all to the US, whatever it takes.

Alizée’s day job is drawing and painting murals intended for libraries, post offices and other civic buildings in a huge warehouse along with Lee Krasner and other artists. Their free hours are spent painting, drinking and arguing art and politics with Mark Rothko, Jackson Pollock and others in their group. Separated from his wife, Rothko takes particular interest in Alizée, both personally and professionally. Barely subsisting, the artists are often consumed by self-doubt, alcohol and depression, creating at times a toxic mix.

Seventy-five years later, Danielle Abrams is recasting her life assessing art work for a major auction house. Inspired by brief stories of her great-aunt, Alizée, and the two paintings of hers that survived, Danielle had been a painter before her divorce and held out hope she could solve Alizée’s disappearance in late 1940. When a group of paintings by the likes of Rothko and Pollock appear at work for evaluation with small related squares secreted on the back, Danielle sees hints of Alizée’s style and sets out to find out more.

As Alizée struggles to acquire visas for her family she runs up against nativism and isolationism as typified by Lindbergh and Kennedy, and anti-Semitic and obstructionist policies in the State Department spearheaded by Breckinridge Long. Eleanor Roosevelt’s genuine interest in the WPA art projects serves to bring Alizée a patron and ally. Throughout The Muralist, Alizée is receiving evermore frightening letters from her relatives in France describing the roundups and tightening restrictions on the Jews. Alizée keeps from her artist friends her activities to circumvent US visa restrictions and take down Breckinridge Long.

Danielle comes into her own as she works to establish the hidden squares as Alizée’s. As with many Holocaust survivors, her grandfather chose not to discuss his experiences before resettling in America. In pursuit of her quest, Danielle comes to terms with her family’s experience in France.

Shapiro is emphatic in the afternote that is this a work of fiction weaving in historical figures and situations consistent with the times, taking liberties to serve the story. It doesn’t purport to be a telling of history with fictional characters added.

The beauty of modern historical fiction is the research that authors put into framing the story. While historical accuracy may be sacrificed for the plot, one of the great benefits of these books is whetting the reader’s appetite to discover aspects of history or art which may be relatively unfamiliar. Having read The Muralist I learned that the Abstract Expressionist movement emerged from artists involved in the WPA artist project. (see http://www.theartstory.org/org-wpa.htm) Similarly, while it is now fairly well-known that tens of thousands of visas were unused annually during WWII, the name Breckinridge Long was unfamiliar. Two clicks on the web and his role becomes all too clear.

With this second novel, B.A. Shapiro is setting a high bar for others seeking to inform the reader about art world while telling a complex and well-structured story. It is refreshing to see strong women artists as protagonists, well-drawn and wrestling with their imperfections and moral choices as they pursue their art in a male-dominated field. Her inclusion of historical events and figures moves the plot along and her clear acknowledgement of the liberties she takes with history are most welcome. The Muralist is a fine novel to share with a friend or in a group. Note: The Muralist tops the Indie Next List for November.

‘The Girl You Left Behind’ captures the evocative power of art

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The Girl You Left Behind by Jojo Moyes (Penguin Books, 2012)
In 40 words or less: A portrait ties together two young women and their absent husbands. A thought-provoking story of love, art, ownership and restitution.
Genre: Fiction
Locale: France and London
Time: 1916 and Present
Read this for a classic story interwoven with contemporary issues of ownership, morality and the transformative power of art.

Jojo Moyes first made a splash on the US book scene in 2012 with her novel Me Before You. With a longstanding reputation in Great Britain, two additional titles were released here later in 2012, The Girl You Left Behind and its prequel novella, Honeymoon in Paris. Were it not for a book group requesting a discussion on The Girl You Left Behind, I might have missed it. I’m glad I didn’t.

Moyes immediately immerses the reader in the life of Sophie Lefèvre, a young woman struggling with her sister and brother to get by while the Germans occupy their French village in October 1916. Sophie, strong and independent, had lived in Paris, meeting her artist husband, Edouard, there while she was a shopgirl. When he left for the Army, she returned to the village to help her sister whose husband was goners well. The Germans commandeered almost everything, leaving the residents with little to eat and few possessions. The sisters’ inn, stripped of almost all furniture, was required to prepare and serve meals to the troops billeted in the town. While charged with preparing the food, the family, which included a baby and the daughter of a woman taken by the Germans, had to account for every morsel of food served.

The only item of value left in the home was a painting of Sophie by Edouard, an Impressionist. The portrait was imbued with all the love Edouard felt for his wife and served as a promise of their future together. The Kommandant was taken by the painting and was prepared to go to great lengths in the hope of acquiring it. And Sophie would put herself in great peril for the chance to reunite with Edouard.

The story shifts to present-day London where Liv Halston is a young widow, living in the Glass House designed by her late husband David, a renowned architect. Liv is frozen in her grief, the only softness in her life is the portrait David purchased for her while they honeymooned in Paris. A chance meeting with an ex-pat American involved in art restitution sets off a chain of events upending both their lives and demanding that the fate of the Lefèvres be known.

Don’t for a minute think this is merely a story of time-linked romances. Moyes presents the legal and emotional issues associated with art restitution, carefully making the Holocaust a minor player. By doing so the visceral attachment people have to art, as contrasted with its possible market value, is elevated. Moyes is acutely aware that most restitution claims arise from German confiscation of art owned by Jews and brings that into the story as a means of bringing moral gravitas to the debate about ownership and redress.

With carefully constructed plot twists, The Girl You Left Behind held my interest to final page. Moyes’s deft hand in tackling fundamental issues rises well above many popular novels.

Armenian Genocide Remembered in Fiction (Part 2)

Every man’s memory is his private literature.- Aldous Huxley

There was a timeliness to selecting a title about the Armenian genocide for a book group I work with. April, 24 2015 was the date selected to commemorate the 100th anniversary of the start of this horrible period. I suggested Chris Bohjalian’s, The Sandcastle Girls (see post Part 1) or Aline Ohanesian’s, Orhan’s Inheritance. To prepare to lead the conversation, I chose to read them both and came away with a far richer understanding of the multifaceted aspects of this tragedy than I would have if I’d only read one. Whichever you choose, your view of history will be changed.

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Orhan’s Inheritance by Aline Ohanesian (Algonquin Books, 2015)
In 40 words or less: Dialog and detailed descriptions provide personal views of the Armenian genocide and war against the British through the eyes of a young girl and a conscripted Turkish boy whose families long-lived side by side.
Genre: Historical Fiction
Locale: Ottoman Empire, California
Time: 1915-23 and 1990
Read this to gain an understanding of the complexities of life when neighbors were pitted against neighbor. Using her grandmother’s recollections as a starting point for her novel, Ohanesian writes of love, loss, inhumanity and compassion.

Continue reading Armenian Genocide Remembered in Fiction (Part 2)

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