Book Discussions – Page 3 – Finding My Wings

‘Everyone Brave is Forgiven’ deserves a place on your nightstand

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Everyone Brave is Forgiven by Chris Cleave (Simon & Schuster, 2016)
In 40 words or less: Mary, a privileged Londoner, volunteers for the war effort. Cleave brings to life the personal effects of the Blitz and the war’s early campaigns on Mary and those closest to her. The imperfections of the characters bring depth to the story.
Genre: Historical Fiction
Locale: London, France, Malta, Algeria
Time: 1938-42
Read this for a glimpse at the early British involvement in WWII. Cleave takes on class distinctions, racism and the high personal toll on those on the home front as well as on the battlefield.

Before, life had been a tradition, a tendency to forgiveness, a regression to the mean… A child was lost as easily as a shilling. And once one had understood that, though one’s heart continued to beat, one was never entirely alive again. She knew, now, why her father had not spoken of the last war, nor Alistair of this. It was hardly fair on the living. (p.268)

Chris Cleave made his mark on US readers when Little Bee was published here in 2009. In his latest novel, Everyone Brave is Forgiven, class, racism and power again play major roles in the story. Mary North is a daughter of London’s elite but with a mind of her own. When war is declared she enlists, only to find herself assigned to help ferry children from London to the countryside to escape the expected bombardment. For some of the children, life in the country is not meant to be, and several end up as the only pupils in an urban school with Mary as their teacher.

Elsewhere in London, a school administrator and an art conservator share a garret apartment. Alistair, the conservator enlists and is sent to France; Tom is put in charge of Mary’s school. As the bombing of London begins the men’s letters tell the story of the great changes occurring in Europe. Mary is far from the classical teacher and reaches out to her small band of students, each of whom would stand out in a regular classroom. She takes particular interest in Zachary, a bright African-Amerian student who is unable to read and has a tendency to run at the least provocation. As Mary and Tom develop a personal relationship, Mary’s advocacy for Zachary is a point of contention.

When Alistair returns disheartened from France before being posted to Malta, Tom, Mary and Mary’s friend, Hilda, plan an evening out to raise his spirits. The evening ends in a shelter during a bombing, with Mary following him above ground to turn over his duffel before he rejoins his regiment. This brief, chaste encounter changes all their lives.

As the war continues, roles change as does the landscape of London. The foursome is wounded physically and emotionally. Bonds are broken. The weak show resiliency and the strong learn that no one is immune from the ravages of despair.

What differentiates Cleave’s story is his careful picking at society’s prejudices. Racism, the power of rank and class, friendship and familial allegiance are all intrinsically part of the narrative in this rich historical novel.

Pumpkinflowers: A Soldier’s Story

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Pumpkinflowers: A Soldier’s Story Matti Friedman (Algonquin Books, May 2016)
In 40 words or less: Friedman shares both his personal and journalistic views of Israel’s experience in Lebanon in the 1990’s with the outpost called Pumpkin as the focus. Heart-wrenching and informative, it reminds the reader that history happens one person at a time.
Genre: Narrative history/memoir
Locale: Israel/Lebanon
Time: 1994-2002

Two years ago I first learned that Matti Friedman’s next book would be about the little-mentioned experience of Israeli soldiers in outposts in Southern Lebanon. These fortifications and their platoons were protection from Hezbollah incursions into northern Israel. This is a personal story for him – it was in the Pumpkin that Friedman served during his time in the IDF in the late 90s. Pumpkinflowers goes beyond his story to tell of those who came before him, their families and friends, and of the women whose outcry led to the abandonment of these positions on the hills.

In Israel, all but the ultra-Orthodox are obligated to serve in the military. Leadership is cultivated early and the bonds of service continue beyond the time in uniform. Israel is a small country so troops are rotated from post to training with frequency and weekend visits home are a part of the culture. And when there are casualties, each wounded soldier (flower) or death (cyclamen) is a collective sorrow, invariably a distant relative or friend of a friend’s cousin.

The early days of the Pumpkin are given life through Avi, a writer by temperament, who was sent with his platoon to the Pumpkin in 1994. Friedman uses diaries and letters, interviews with Avi’s parents and others from the platoon, to paint the picture of life on the hill. Friedman lays out the routines, the boredom broken by fear when trying to ascertain whether a shepherd is merely looking for lost sheep or is actually a threat. The platoon members are from different backgrounds, religious to completely secular, though all are schooled in the Biblical history of the land. They are at the cusp of adulthood, intrigued by popular culture, keeping in touch with their friends, trying to figure out what is next.

Access to the outposts was difficult and troops were often conveyed by helicopter. In February 1997, poor weather conditions contributed to a tragedy that changed the direction of Israel’s defense in the security zone. Begun by mothers, slowly but surely pressure to bring the soldiers home from the outposts began.

And it was after this that Matti Friedman, at nineteen, was sent to the Pumpkin. Only after telling the story of the early years does Friedman share his experience.

Well-conceived narrative history can bring breadth in a very compelling way. In Pumpkinflowers Matti Friedman gives life to the Pumpkin and to the terrain that the platoons are charged with protecting. The difficulty in defending borders when combatants look just like their neighbors. The combination of bravado and naiveté among the IDF’s soldiers, and a country where each casualty is a tragedy within the family. Friedman also lays out the politics and resistance.

In the end, it is a very personal story, incomplete without Friedman’s visit back to where it all began. After the Pumpkin was the temporary home to too many young men lost, it is now a hill with scars. And the view remains essentially the same as it has for thousands of years.

Pumpkinflowers is well-documented and tightly written. Covering a rarely discussed period of Israeli history, this book is important for the gap it fills and the manner it which it is addressed. As he says, this period is the beginning of a new type of warfare in the Middle East and Hezbollah was its start. This book has appeal for readers of all genres and will be a great source of discussion.

Matti Friedman is a journalist and author. His 2012 book, The Aleppo Codex, was awarded numerous prizes, including one which afforded him the opportunity to turn his attention more fully to his experience in Lebanon. Friedman continues to write both narrative journalism and opinion pieces.

To review or not to review – here’s how I decide

If all someone knew about my reading habits is my posts, they’d think I like all the books I read. Nothing could be farther from the truth. There are tens of thousands of books published each year and no one can read every book that may appeal. Reading time is very precious to me and I’d rather read more and write less, so I need to be selective.

What I will review:

Titles that beg to be discussed with a group, both fiction and nonfiction.
New titles from a favorite author.
Quirky books that defy easy classification.
Books about readers and bookstores, a particular weakness of mine.
About-to-be published titles that I’ve read (and enjoyed) before reviews have appeared.
Backlist titles that deserve another reading.
Any book that I am ready to share with a stranger, let alone a good friend.

(For a quick look, check out the BOOKS page.)

What I usually won’t write about:

Books I finished but didn’t particularly enjoy. I’ll share my opinion if you ask about a specific title but it may be my attitude, not the quality of the book. After all, who am I to bash a popular debut novel just because I found it pedestrian?
Most of the books I read to cleanse my palate. Often these are mysteries or thrillers that I do enjoy but don’t stick with me once I’ve closed the book.
Nonfiction where my underlying knowledge is limited.

So how do I find my books?

Long before major new titles hit the shelves, information begins appearing in trade newsletters and emails. There are many regular emails for readers as well, many of which offer the chance to win advance copies or to read a sample chapter online. For something different, I often read the book reviews and awards announcements from British or Canadian newspapers in addition to a number of US papers. Only a portion of well-received titles come across the borders. And wherever I am, I seek out independent bookstores and the professionals that work there. Each community has some of its own “hot reads” and often quality books by local authors. The local library and the library’s used bookstore also fill my plate. And I ask everyone I meet, “What are you reading?”

As a book group facilitator and blogger, I periodically receive upcoming titles that may be of interest. They arrive with no specific obligation on my part. Certainly, the publishers’ marketeers are thrilled to get an email or see a post that will put my small band of followers on the lookout for an upcoming book. And when a gem lands on my doorstep, I am happy to share the find.

Once published, it is difficult to judge a book entirely on its own merit. Often there have been newspaper/website/radio/blog reviews or ads. Your best friend/work colleague/book group buddy/significant other loved (or hated) it and can’t imagine you’d think otherwise. Word of mouth on the new “hot” book can spread far faster than the flu.

Often as not, an advance copy may just keep moving down my “to-be-read” pile, displaced as the time gets closer for a calendared book group selection or an author/topical favorite that appeared in the mail. Sometimes, it is just a matter of the right book at the right time. Recently, work with a new book group provided the perfect opportunity to finish and discuss My Brilliant Friend, the first of Elena Ferrante’s Neapolitan quartet.

So, my to-be-read pile continues to grow and with it books I may write about someday. But what is most important to me is that we continue to read and share books, over coffee, in a group or across continents via the web. In the beginning there were stories. And through stories we can better understand our world and imagine worlds beyond.

‘My Brilliant Friend’ is a book for sharing

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My Brilliant Friend by Elena Ferrante, translated by Ann Goldstein (Europa Editions, 2012)
In 40 words or less: The first of four novels by an elusive Italian author centering on the friendship of two women from their childhood in Naples to the present.
Genre: Fiction
Locale: Naples
Time: 1950’s-60’s
Read this for an intimate view of life in an isolated working class Italian neighborhood.

In Spring, 2012, I went to the Europa Editions booth at Book Expo and asked which of their titles they would recommend above all others for book groups. And I took home a yellow-bound advance copy of My Brilliant Friend. As I started to read it, I realized it really is a book to share in a group.

Fast forward to 2015. The final book, The Story of the Lost Child, is released in the U.S. market to great acclaim. My Brilliant Friend becomes a bestseller and I encourage a group to choose it for discussion. And just this week it was announced there’s a move to bring the story to the (small) screen.

Reading about Elena and Lila often seems like you are tagging along behind two best friends, hearing their secrets and their bickering, growing closer and farther apart as they face individual challenges. From childhood the girls were different from most in their tight-knit neighborhood. Smart and competitive, their families often don’t understand them. Ferrante takes the reader in and out of all the apartments, low-end shops and into the intimacies of families struggling to make their way. The community has its own enforcers and watches out for those unable to take of themselves.The first book in the quartet takes Elena and Lila from playing with dolls through Lila’s wedding.

Ferrante’s fine writing, as ably translated by Ann Goldstein, belies the roughness in the storytelling that reflects life in these Naples neighborhoods in the 1950’s and 60’s. Disputes are often settled with violence and women have little or no say in their lives. People cross the boundaries of the neighborhood as if they were leaving the country. And there is little curiosity about the Naples that tourists visit or even the nearby seashore.

The mission of the publisher, Europa Editions, is to bring international literary fiction to American and British audiences. Based in New York with deep Italian roots, their books are well-written, affordable and beautiful. I love the look and feel of their books – soft-covered with a matte finish and books flaps as part of the cover. My Brilliant Friend is a wonderful introduction to this publishing gem.

Seeking and Finding ‘In the Courtyard of the Kabbalist’

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In the Courtyard of the Kabbalist by Ruhama King Feuerman (The New York Review of Books, 2013)
In 40 words or less: A rebbe’s courtyard in Jerusalem and a shard of pottery discarded on the Temple Mount are catalysts for life changing experiences for three lonely people.
Genre: Fiction
Locale: Jerusalem
Time: 1994
Read this book for a well-crafted story bringing in the many different peoples that make up Jerusalem.

There is a timelessness to Ruhama King Feuerman’s novel despite its contemporary setting. The courtyard of the title, on Nineveh Street in Jerusalem, is a place where seekers of all sorts congregate. A wise and ailing rebbe and his wife offer guidance and soup to an array of regular and occasional visitors. Isaac, a former haberdasher from the Lower East Side, arrives in the courtyard while looking for a new direction in his life. As luck would have it (and out of the goodness of their hearts), Isaac becomes the assistant to the rebbe, ferrying messages, keeping order and conversing with the visitors.

Among the visitors is Tamar, a young American who has moved to Israel and become more religious. She is effervescent in personality and dress and is in search of her bashert, the person who’s destined to share her life. She asks the rebbe’s guidance in finding him.

On the Temple Mount, Mustafa toils daily as a janitor, sweeping, washing, and hauling trash to maintain the holiness of the site. Mustafa has been an outcast from birth, his head awkwardly twisted almost over his shoulder. Rejected by his family who are concerned about the negative influence his condition may have on the marriage prospects of his siblings, he lives narrow existence of work, dinner and sleep with little human contact.

In the course of clearing out buckets of debris from questionable digging on the Temple Mount, Mustafa finds a shard of pottery that appears to have some value. Mustafa sees Isaac as someone who can explain what he has found. Looking for answers endangers Isaac and Mustafa but they are resolute in what becomes a quest for both. As with almost everything in Jerusalem, religious and political controversies, control of holy sites and distrust among groups become obstacles in their path.

Over the course of the novel, these three lonely, family-less people find connections with each other. The story has ample twists and turns, but it is the blossoming of the people and their friendships that gives it lasting strength. This is a slim book, tightly written and very well-suited for discussion among book groups.

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