‘Memento Park’, a novel of lost and found

  • Memento Park by Mark Sarvas (Farrar, Straus and Giroux) March 2018
  • In 40 words or less: Matt Santos, a B-list actor, plays parts on screen and in his own life. A phone call suggesting he’s the rightful owner of a painting seized by the Nazis in 1944 raises questions about his identity, his family, and the choices he’s made.
  • Genre: Literary fiction
  • Locale: United States and Hungary
  • Time: Contemporary

Matt Santos seems to be living the Los Angeles dream. A regular role in a series. Living with his girlfriend Tracy, a model and activist working to free a death row inmate she believes wrongly convicted. Things are rarely what they seem. Matt isn’t really into the show and Tracy is spending a lot of time with a lawyer on the case. Out of the blue, a phone call from a New York law firm upends the delicate balance of their lives.

The lawyer insists that Matt may be the rightful owner of a painting wrongly transferred during WWII and now in the restitution process. Matt argues he knows nothing about it and is told his father has declined any claims in Matt’s favor. Matt has had a fractious relationship with his father and wants nothing to do with the painting or his father. Tracy has been the go-between for father and son, and a weekend visit cross country by Gabor does little to assuage the ill feelings.

With this as the background, Matt begins the search for the truth about the painting, its ownership, and the history of his family in Hungary during the war. The attorney provided Matt for this process is Rachel, a young woman from a traditional Jewish family, whose relationship with her father is in stark contrast to Matt’s. The richness of Rachel’s family life, despite their modest means, awakens a mix of curiosity and envy towards Judaism. The discovery the other possible owner of the painting is a woman rabbi further adds to the complexity.

In Memento Park Mark Sarvas has written several stories swirling around one another. The story of Matt the actor touches on the emptiness of a life built on good looks and mediocre acting skills. Matt’s research into the life of the (fictitious) artist provides his first look into the struggles of the years between the wars and the toll it took on individuals and Jews, in particular.

Throughout the novel, Matt’s ongoing yearning for his father’s approval/love and his conditioned response when disappointed is the real grabber. It is only through the larger quest surrounding the painting that Matt learns of the experiences that shaped his father’s childhood and made him such a difficult man.  Coming to terms with it all is key to Matt reclaiming his life.

While the Holocaust and the infamous history behind the Shoes on the Danube Bank memorial are critical to the novel, I wouldn’t characterize it as a part of that genre.  This is a story of family and the secrets that color every aspect of life. Achieving this balance requires a delicate touch and Mark Sarvas has carried it off. The success of Memento Park is weaving together all the elements into cohesive work without straining credulity. The result is a novel with interesting plot twists that will provide book groups with ample material for discussion.

 

 

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‘The Girl You Left Behind’ captures the evocative power of art

IN A NUTSHELLUnknown - Version 2

  • Unknown-10The Girl You Left Behind by Jojo Moyes (Penguin Books, 2012)
  • In 40 words or less: A portrait ties together two young women and their absent husbands. A thought-provoking story of love, art, ownership and restitution.
  • Genre: Fiction
  • Locale: France and London
  • Time: 1916 and Present
  • Read this for a classic story interwoven with contemporary issues of ownership, morality and the transformative power of art.

Jojo Moyes first made a splash on the US book scene in 2012 with her novel Me Before You. With a longstanding reputation in Great Britain, two additional titles were released here later in 2012, The Girl You Left Behind and its prequel novella, Honeymoon in Paris. Were it not for a book group requesting a discussion on The Girl You Left Behind, I might have missed it. I’m glad I didn’t.

Moyes immediately immerses the reader in the life of Sophie Lefèvre, a young woman struggling with her sister and brother to get by while the Germans occupy their French village in October 1916. Sophie, strong and independent, had lived in Paris, meeting her artist husband, Edouard, there while she was a shopgirl. When he left for the Army, she returned to the village to help her sister whose husband was goners well. The Germans commandeered almost everything, leaving the residents with little to eat and few possessions. The sisters’ inn, stripped of almost all furniture, was required to prepare and serve meals to the troops billeted in the town. While charged with preparing the food, the family, which included a baby and the daughter of a woman taken by the Germans, had to account for every morsel of food served.

The only item of value left in the home was a painting of Sophie by Edouard, an Impressionist. The portrait was imbued with all the love Edouard felt for his wife and served as a promise of their future together. The Kommandant was taken by the painting and was prepared to go to great lengths in the hope of acquiring it. And Sophie would put herself in great peril for the chance to reunite with Edouard.

The story shifts to present-day London where Liv Halston is a young widow, living in the Glass House designed by her late husband David, a renowned architect. Liv is frozen in her grief, the only softness in her life is the portrait David purchased for her while they honeymooned in Paris. A chance meeting with an ex-pat American involved in art restitution sets off a chain of events upending both their lives and demanding that the fate of the Lefèvres be known.

Don’t for a minute think this is merely a story of time-linked romances. Moyes presents the legal and emotional issues associated with art restitution, carefully facebook_placeholdermaking the Holocaust a minor player. By doing so the visceral attachment people have to art, as contrasted with its possible market value, is elevated. Moyes is acutely aware that most restitution claims arise from German confiscation of art owned by Jews and brings that into the story as a means of bringing moral gravitas to the debate about ownership and redress.

With carefully constructed plot twists, The Girl You Left Behind held my interest to final page. Moyes’s deft hand in tackling fundamental issues rises well above many popular novels.

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